Continued…

Overall, it was an enjoyable movie but not one that lived up to the hype, let alone an eighteen year wait. It wasn’t nearly as good as most of the other superhero movies that have come out over the last few years.

Bryan Singer is an excellent director but his X-Men films were far superior to this one. The special effects were excellent, especially compared to the Christopher Reeve “Superman” films, but nothing special in comparison to the X-Men, Spiderman, and Fantastic Four movies. The plot moved very slowly, with long setups for a rather mundane story.

The premise of the movie is that our hero departed five years earlier to explore Krypton after its remains were discovered by astronomers. Yet, all we learn of that trip is that the planet was “a graveyard.” Why, then, was he gone five years? One would think a man who can fly at light speed could have explored a barren planet and returned home in time for dinner. No explanation is offered.

The Fortress of Solitude as crystals from Krypton angle, one of the most annoying aspects of the Reeve “Superman” series given its departure from the comics (although since woven into the two television adaptations) is central to the plot of this film. That the crystals can be easily removed by human hands and dumped into water — “like sea monkeys!” — with literally Earth shattering effect struck me as highly implausible. And Luthor’s motivations for a plan that would kill “billions,” including destroying the wealth of the Eastern Seaboard of the United States, were at best puzzling. How, exactly, he hoped to get rich with those people gone, especially living out on a barren Kryptonian-technology-laden island, was unexplained.

Singer is obviously a comic book fan and there were numerous clever homages to the genre throughout the movie. Not only did Brandon Routh look eerily like Reeve, especially in his Clark Kent guise–down to a 1970s haircut and outdated three piece suit and tie–but he worked in most of the standard cliches and even evoked the cover of Action Comics #1, where Superman made his debut.

Routh did a creditable turn as Superman and Clark Kent, although nothing spectacular. For my tastes, Reeve’s was the best “Superman” portrayal and Dean Cain’s (”Lois and Clark”) the best “Clark Kent.” (Tom Welling’s “Smallville” version is also compelling but a radical departure from the canon.)

Kate Bosworth was an excellent Lois Lane, portraying the role more powerfully than Margot Kidder. Mostly, I suspect, this is just a function of it being 2006, where a strong professional woman can be played effortlessly, vice 1978, where one had to introduce a campy “women’s libber” angle. She’s also, frankly, much better looking than Kidder, although perhaps no Teri Hatcher.

Kevin Spacey stole the show with his variation on Lex Luthor. His interpretation is much more theatrical than past versions, borrowing somewhat from Jack Nicholson’s Joker. He had several great lines and pulled off the role superbly. It’s been too long since I’ve seen the Gene Hackman version to compare them. It seems clear, though, that the Luthor role is the premier one in the Superman stable. Michael Rosenbaum’s portrayal in “Smallville” is probably my favorite, just in terms of showing the man’s brilliance and complexity, but it’s not fair to compare a 2-1/2 hour film with an episodic format.

Parker Posey was also quite funny in her portrayal of Kitty Kowalski, Luthor’s nitwit girl Friday. Like Valerie Perrine in the Reeve movies, though, one wondered why Luthor would consort with such an obviously stupid woman. Indeed, more so given Perrine’s rather obvious compensating qualities.

Overall, I’d say the movie is worth seeing in the theater but certainly not worth camping out overnight for. It’s a cultural event moreso than an ordinary movie, just because of the character’s staying power–now going on 70 years. If this were the debut of Superman, though, I don’t think he would catch on.

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