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If you’re looking for some of the best in television and are counting the days for your favorite show to come back for the next season, then feast your eyes upon this list.
I present: Ten Shows That You Should Watch Now, Because They’ve Already Ended. Pick up a few seasons on DVD or download these, because what else are you going to do while waiting for “True Blood” to come back on?!??
Arrested Development
This is the “duh” one on the list, because I reference it on the site here more than Pokemon, but I cannot emphasize this enough, watch this show. Yes, it’s dead and no amount of post mortem viewings can extend its short life, but simply put, this is a perfect show, and its early death at the hands of Fox might have actually saved it from going downhill at some point, which as it stands, it never does.
The problem with AD when it was on the air is that each episode requires you to have watched all the previous episodes to understand most of the inside jokes, and the entire show is practically inside jokes. This was especially hard to convey via a fifteen second television commercial, and so the show died.
It’s the story of a man trying to keep together his crazy socialite family after his father is sent to jail, and features the best writing in TV history, along with a cast 100% made up of memorable characters, even background players are noteworthy in their own right (Steve Holt!), and every line everyone says is practically a quotable classic. Let it be known, that this is my number one show of all time, and that nothing else even comes close.
So check it out, and be sure watch them in order. Once you start, I don’t think you’ll be able to stop.
The Wire
There are a great many HBO series I could put on this list, but most of them don’t translate very well to viewing in massive chunks. Trying to get through The Sopranos and Oz was EXHAUSTING as all are 60 minute episodes instead of the usual 42, and there are like, sixty of them.
The Wire is different. It’s equally lengthy, but it’s just so damn good it doesn’t matter. It’s the story of the drug game and its police counterpart in Baltimore, and is so well written and acted, it’s one of the only shows I’ve ever seen that doesn’t actually feel like a TV show, it just feels real.
Yes, some seasons are better than others, and it does start to veer off the deep end near the close of the series (hobo murder?), but it’s worthwhile throughout, and worth the long haul it takes to get to the end, as yes, you’ll spend more time with this show than you will with any of these others. But to me, it still stands as the best scripted drama I’ve ever seen.
Battlestar Galactica
Yeah, yeah, I know this sounds like the geekiest show I could ever possibly recommend, but trust me when I say it’s not. It’s just a really good action drama that HAPPENS to be set in space. I managed to get the two random asian girls who I lived with in NYC hooked on this show, when previously their TV viewing only extended to various Real Housewives installments. It’s just good TV.
It’s the story of a planet system ravaged by a machine race, some of whom are giant robots, and some of whom are perfectly engineered humans who could BE NEXT TO YOU RIGHT NOW! The Battlestar Galactica (it’s a ship) charts a course with the rest of the surviving human ships toward a legendary 13th planet somewhere in the galaxy called Earth. That’s when things start to get interesting.
The fun of the show comes from its central mysteries, what will happen when they find Earth, and who among the cast are actually evil robots. It’s enough to propel the series for four seasons (it does feel a bit lengthy eventually), but I will say I think the finale is satisfying enough to be worth the trip. But don’t get me started on Starbuck. You’ll see what I mean.
Lost
And speaking of finales, Lost‘s was only a few months ago, but it qualifies for this list without a doubt. In fact, I would argue that Lost is the best out of all these shows to watch on DVD, because when every single damn episode ends in a cliffhanger, the next one is just a click away. But be warned, this will also make this by far the most addictive show on this list.
I’ve always had a rule with Lost that has yet to be proven false. Watch the first four episodes and you won’t be able to stop. It gets that good, that quick, and yes, season one is the best, but the show as a whole is something that will be remembered in TV history for ages.
The Island is perhaps the greatest mystery in television, and the mini-mysteries that surround it are equally compelling. Pair that with a cast that grows to feel like family, and superb writing and acting, and you’ve got yourself a cultural icon.
Deadwood
I’ve already mentioned HBO shows when I talked about The Wire, but Deadwood is another one I feel is worth checking out. It’s only three seasons, as opposed to five or more for most other long running HBO shows.
It’s set in the Old West, and tells the mostly historically accurate tale of the town of Deadwood, where Wild Bill Hickock met his end and Al Swearengen ruled with an iron mustache. Timothy Olyphant is the star as the new sheriff in town, but Ian McShane’s Swearengen steals the show and is one of the most memorable villains (and eventually anti-heroes) you’ll come across in any of these shows.
Sometimes the pace can be a bit dull, and episodes can drag as can any hour long show on HBO, but ultimately I think it’s worth the trouble, and Deadwood is a genre series that does it better than all the rest.
Extras
I realize that the slow pace and dry humor of Ricky Gervais’ The Office may polarize some people, so I’m not explicitly recommending it here (but you should watch it anyway). Rather, I’m going with Extras, his second effort jammed full of celebrity cameos, in a good way. Still plenty of dry humor, but it’s more overtly funny than his usual stuff.
Gervais plays a film extra in season one, and on set he encounters a number of celebrities including Ben Stiller, Ian McKellen, Patrick Stewart, Daniel Radcliffe and more. Every episode has at least one celebrity in it, but their appearances are almost always self deprecating.Kate Winslet moaning about how she can’t win an Oscar, or Orlando Bloom being stunned that a woman isn’t into him are two of my favorites.
Season two follows Andy when he gets his own show, a low-brow parody of The Office, and it starts to mimick Gervais’ actual life a bit more. And after that? There is no after that. There are only twelve episodes of this show total, plus a Christmas special. You could knock it out in an afternoon if you really wanted to, but I’d recommend spreading it out a little more than that.
Firefly
Speaking of short lived, there is no more tragic story than the death of Firefly, Joss Whedon’s space western that was yet again, too good for Fox. But while Arrested Development was at least allowed a four episode arc to wrap-up, Firefly just was flat out cut in the middle, and the series just kind of ends midway through.
But never fear, the fan outcry was so great after the show’s demise, that the two thirds of a season was bolstered by the release of “Serenity”, the full-length feature that is the perfect bookend to the show. This is the only time I’m actually pairing a movie with a show in this list, but once you’re done you must watch it.
The cast becomes family, and the sci-fi universe is incredibly unique, and more importantly funny. You don’t see that very often in this genre. Unlike say, Lost, which is addicting after a handful of episodes, Firefly takes getting used to, and I didn’t particularly care for it until five or six episodes in. But after that, I’ve rewatched the series three or four times, and it’s among my favorites as you can see by its inclusion here.
Freaks and Geeks
Once upon a time before Judd Apatow’s name was overused in Hollywood, he worked on brilliant TV shows. Freaks and Geeks, the story of Michigan high schoolers in the eighties, some will argue is his best work, and I could be persuaded to agree.
The show launched the careers of Jason Segel, Seth Rogen and James Franco, and though it lasted only a season, is full of brilliant comedy and moving drama. It’s hour long format sometimes wears thin (I’m not a fan of comedies being an hour, it’s why I can’t watch Glee), but as the show is only a season, when it ends you’ll wish it had been even longer.
Undeclared
This segues right into Undeclared, Apatow’s next show when NBC killed his first. But this time Fox didn’t even wait around to the end, as Undeclared ends mid-season a-la-Firefly.
It’s the story of a group of college freshman adjusting to life at school, and I personally prefer it to Freaks and Geeks as each and every episode is pure hilarity. It has Segel and Rogen as well, but is also where Jay Baruchel and Sons of Anarchy‘s Charlie Hunnan got their start. After seeing this show where he plays a British ladies man, I never thought his next role would be as a hardcore American biker.
It’s just so well written, it’s no wonder why Apatow made the jump to writing classic movies like “The 40 Year Old Virgin” and “Knocked Up” after this. But I would trade all those if Undeclared was allowed to run for a few more seasons.
Dollhouse
At long last, Fox finally learned its lesson about axing shows, which as you can see, killed four of the ten on this list prematurely. Somehow, for Whedon’s latest effort, they felt pity and gave Dollhouse a second season, it’s long enough, and makes the show a perfect and abridged work of genius, and something unlike anything else on television.
The show starts off like a procedural, and I hated it. “Dolls” are imprinted with personalities and sent out on various jobs. The star, Echo, might be a hostage negotiator, an assassin or a sex slave on any given day, and each week she’d undergo a different personality swap.
But something happened, and midway through season one, the show realized it was something bigger than a run of the mill Alias/CSI wannabe, and started dealing with overarching plotlines and complex issues of morality and science. When I say it’s one of the smartest shows ever written, I’m not exaggerating, and I’m recommending it here because not many other people appreciate it as much as they should.
What shows are you watching now that they’re no longer in production? Sound off in the comments below!
source: 10 Shows You Should Watch Now That They’ve Ended – [unreality tv]
Popularity: unranked [?]
Battlestar Galactica stunner Grace Park is currently filming a Hawaii Five-O reboot in Hawaii. I could care less about a movie that is sure be a pile of cowshit, but Grace Park is hot.
So here are some pictures of her in a bikini. You’re welcome.
(Click images for hi-res hotness)
  
  
Popularity: unranked [?]
Last week we got the nominations for the 2009 Emmy Awards, but now we get an even better list – the 25 biggest Emmy snubs ever.
25. SPORTS NIGHT
Aaron Sorkin’s dramedy about a struggling cable sports program had it all: a swoon-inducing central romance (between Peter Krause’s sly anchor and Felicity Huffman’s brainy producer); a stunning supporting cast (including the awesome Robert Guillaume); and lightning-quick dialogue that ranged from heartbreaking to hilarious. And funny enough, we reacted to Sports Night’s lack of Emmy recognition much the same way we would to a typical episode — by laughing out loud and reaching for the Kleenex.
24. WALTON GOGGINS
The Shield
Michael Chiklis garnered most of the award attention for his bulldog-on-steroids performance as Vic Mackey, the head of a stop-at-nothing L.A. police squad. But as his onetime right-hand man and best friend Shane Vendrell, Goggins also proved he’s an acting force to be reckoned with. A loose cannon whose messes kept getting bigger and stickier and more dangerous each season, Shane spun out of control in season 6, playing all sides against each other and becoming hell-bent on self-destruction after dropping a hand grenade in the lap of his squad mate at the end of season 5.
23. MY SO-CALLED LIFE
Okay, so it only lasted one season. And while ”the Academy” didn’t know it then, this critically acclaimed ratings bust has since become one of the most beloved cult-classics to ever hit the tube. It not only captured teen angst in a way few have been able to replicate, but it also showed the softer side of trying to figure out who you are. Although I may never forgive Claire Danes (she admitted to EW in 2004 that she had a hand in the show not returning for a second season) at least they didn’t go with their first rumored pick — Alicia Silverstone. Cher pining over brooding Jordan Catalano? Whatever!
22. SARAH MICHELLE GELLAR
Buffy the Vampire Slayer
Can you believe it!? I guess it’s not too surprising that SMG was never nominated. The closest this classic ever got to a major nomination was a writing nod for the genius Joss Whedon (and the poor guy didn’t even win). But if there was one person that deserved that little golden angel it was Gellar (duh), who played Buffy Summers as a high school girl all high school kids could relate to. Sure, the goths may have claimed her, but Buffy blurred the lines of cliques and social circles and played into a fantasy any high schooler would envy: superpowers + important mission in life.
21. HOMICIDE: LIFE ON THE STREET
When it premiered in January 1993, Homicide was a meticulously bleak show — morose, cynical, and allusive in a way nothing else on prime time was even trying to be. Critical raves poured in for these tales of the Baltimore homicide division; viewers, correctly suspecting a downer, stayed away in droves. Sadly, the Academy didn’t bestow the Best Dramatic Series love either. And that’s a crime.
20. AN AMERICAN FAMILY
Twelve episodes. One family. A 20-year-old gay man. And more than 10 million viewers. Long before The Real World, The Osbournes, and Wife Swap, filmmakers Susan and Alan Raymond gave America a peek inside the lives of a normal clan, the Louds, in An American Family. PBS’ documentary series was so ahead of its time that no Emmy category existed in 1973 to accommodate it. (Sure, it might have qualified for Outstanding Documentary, but that category was filled with news-division shows on such topics as Watergate.) Among the first ”ordinary people” to become ”celebrities,” the Loud family appeared on the cover of Newsweek and son Lance became something of a gay icon. Little did they know what they had wrought.
19. KATEY SAGAL
Married…With Children
With a cigarette dangling from one hand and the remote control from the other, Sagal’s sex-obsessed Peggy ruled the suburban middle-class wasteland that was the Bundy household. It was the actress’ own idea to outfit her character in ’60s- and ’70s-style TV-housewife garb — a hilarious move, as it further highlighted the divide between those women’s devotion to homemaking and Peg’s refusal to ever lift a fake nail…unless it was to eat a bonbon.
18. RON HOWARD
The Andy Griffith Show and Happy Days
Don’t you wish there was a ”Best Narration” category? Because Ron Howard would’ve cleaned up for Arrested Development. Sticking to his on-screen appearances, the Academy dissed Howard in his six seasons as Howdy Doody look-alike Richie Cunningham on Happy Days. But how could little Ronny not have scored a nod for the episode ”Opie the Birdman” from The Andy Griffith Show? Not many child stars can communicate a dawning youngster’s awareness of the value of life, the importance of parenting, and the pain of separation as he did in this episode, a performance mature in its innocence.
17. AMERICA’S NEXT TOP MODEL
Just how crazy a weave must Tyra don before Emmy takes notice of ANTM? The supermodel’s modeling competition may not score the ratings of some other reality juggernauts, but when it comes to entertainment value, the show never disappoints (see: every cycle’s makeover episode). And unlike some other reality shows, ANTM actually does produce some success stories (e.g. Eva Pigford, Danielle Evans, Adrianne Curry…kinda). C’mon Emmy, you know that ANTM deserves to still be in the running to become Best. Reality. Competition. Show.
16. KRISTIN DAVIS
Sex and the City
From home, we all followed Kristin Davis’ Park Avenue princess Charlotte York as she went through the same big-girl realizations as the rest of us. Discarding Prince Charming fantasies and big-city illusions, Charlotte developed throughout the series into the sweet but strong woman we later saw on the big screen
15. BATTLESTAR GALACTICA
The most likely reason Ronald D. Moore’s magnum opus hasn’t been nominated is that it’s ”too genre,” which is ironic given that Battlestar Galactica is a self-conscious break from the genre conventions that have clogged much of TV sci-fi (I’m looking at you, Star Trek: Enterprise). BSG is great drama that just happens to be set in a sci-fi context.
14. CHLOË SEVIGNY
Big Love
While it’s slightly shocking to see indie fashionista Chloë Sevigny so comfortable in the conservative skin of Mormon Nicki on HBO’s Big Love, the actress’ portrayal of the second wife is believable far beyond her single braid/turtleneck/long skirt ensembles. She gives an honest glimpse into the struggles facing a fundamentalist polygamist gal trying to survive in a world where her belief system is illegal.
13. DESI ARNAZ
I Love Lucy
Sure, we all know that the real star of I Love Lucy was comedy legend Lucille Ball, but Lucy wouldn’t have been half as funny without her heavy-accented, bongo-banging, disciplinarian foil/husband Ricky Ricardo, played by real-life spouse Arnaz. In fact, out of the show’s four regular cast members — Ball, Arnaz, William Frawley, and Vivian Vance — Arnaz was the only one never recognized during its six-year run. Emmy, you got some ‘splainin’ to do.
12. CONNIE BRITTON AND KYLE CHANDLER
Friday Night Lights
Eric and Tami Taylor, TV’s most realistic couple (and yes, that includes reality shows), are just too divine. Why? They — he, the obsessive coach; she, the doting mom and school counselor — are believable: They fight, make up, talk, parent, and work together with the harmony and grace of a pair that’s been together in real life for years.
11. THE WIRE
We can almost convince ourselves that there were too many fantastic actors on David Simon’s Baltimore threnody for Emmy to get around to them all (though how one overlooks Dominic West or Michael K. Williams, we’ll never know). But that a series routinely hailed as one of the best shows ever on television — if not the best — never even garnered a dramatic series nod? Shameful.
10. COURTENEY COX
Friends
How was Cox — who aced her half of the Chandler-Monica affair — the only Friend ignored?
9. BOB NEWHART
The Bob Newhart Show
Three noms for Newhart’s next sitcom didn’t make up for earlier snubs.
8. HEATHER LOCKLEAR
Melrose Place
Her hilariously bitchy stroll on Melrose turned a snooze into a must-watch.
7. NORMAN FELL
Three’s Company
The only thing lovable about wife-hating homophobe Mr. Roper? Fell’s perfect timing.
6. MICHAEL LANDON
Ignoring the beloved star for his two seminal series, Bonanza and Little House on the Prairie, is like never sending your dad a Father’s Day card.
5. THE HONEYMOONERS
One of the best sitcoms on TV, and prototype for the rest of the best. Pity Emmy voters never noticed.
4. LAUREN GRAHAM
Gilmore Girls
Put those hyperliterate scripts in a lesser actress’ hands — see what hash they make of them.
3. BUFFY THE VAMPIRE SLAYER
Believe it or not, kids, before Lost, Emmy didn’t always understand shows with fanciful premises.
2. ANDY GRIFFITH
The Andy Griffith Show
Don Knotts nabbed four trophies, but not one nod for the sheriff? A crime!
1. ROSEANNE
Emmy loved the sitcom’s actors but never acknowledged the show or its writers. So the stars did an amazing job saying…nothing worthwhile?
I think this is one of the few lists that I agree with everything on it, yes including America’s Next Top Model. I am a huge fan of Buffy The Vampire Slayer and always thought it was robbed every year.
What are your thoughts on the list?
Popularity: unranked [?]
FHM magazine has comprised a list of the 100 Hottest Women of Hollywood. No real news value, just some good eye candy to ease your way into Friday. 100 women received almost 10 million votes ranking their levels.
Keira Knightley is 10th place on list and sir…I demand a recount. This woman is gorgeous from head to toe and could drink us all under the table while telling a dirty joke about a Rabbi. She almost makes me think twice about the lesbian option.
  
Blake Lively took the number 9 spot. Typical blonde girl next door who you don’t realize is banging hot until she gets gussied up for prom. Same thing for Tricia Hefler. Hefler scored the 8th rung on the ladder. I know…Tricia who? She is space hotness on “Battlestar Galactica.†Eh, she has a weird gum to teeth ratio when she smiles. Meanwhile, 7th place was given to Hilary Duff. It must have been a pity thing. Duff strikes me as total bitch whose movies go from post production to the dollar bin at Wal-Mart.
 
Emmanuelle Chriqui came in on the 6th spot thanks to her role as Sloan on “Entourage.†She is like this level of hot that is demur but can turn into a total minx at a moments notice. The rack of Scarlett Johansson rounded out the top 5. Yeah, big knockers always tend to climb their way to the top.
Elisha Cuthbert finally gets some love after out-hotting Scarlett. She just radiates pretty girl appeal at number 4. Cuthbert also has an approachable factor, unlike some aforementioned divas who will pimp-slap you for getting to close to their snack table.
 
Ugh, yes Jessica Alba and her high maintenance ass made it to the 3rd position. Bitch…enough said. Another Jessica, who is more tolerable, took the number 2 slot. Jessica Biel, who is currently bedding Justin Timberlake, made her way to the top.
Drum roll for the number 1 spot….
Megan Fox is the hottest of the hot. The Transformers vixen who tolerated Shia LaBeouf making eyes at her goodies tops the list and dethrones last year’s winner, Jessica Alba. This woman is now my queen.
Source: 100 Sexiest Women [FHM]
Popularity: 4% [?]
 Jane Krakowski, who stars as sketch comedian Jenna Maroney on the NBC comedy 30 Rock and was formerly the slutty secretary on Allie McBeal, gives men some advice about women in Esquire‘s “10 Things You Don’t Know About Women” column.
1. When you break up with us, that means it’s over, and we will only sleep with you two or three more times.
2. When you’re talking dirty to us, call us a whore and not a prostitute.
3. Straight men should take a thirteen-week course from a gay man to fully appreciate what’s fabulous about women.
4. Though we’re happiest in the company of gay men, we’re embarrassed when we marry one.
5. No, we didn’t see last week’s Battlestar Galactica.
6. We find dark-colored sheets creepy. And they don’t conceal stains.
7. You shouldn’t pass up a three-way because you “love us too much.”
8. When a hot woman walks by and we ask if she’s your type, refrain from saying things like “Nah, I like a woman with a little meat on her bones” as you give us a squeeze.
9. You look way sexier when you come home all unkempt from Survivor than you do all cleaned up at the reunion show.
10. It’s sexy when you cook for us. Unless you’re wearing an apron. Then it’s just weird.
Numbers two and seven are really good advice.
Popularity: 21% [?]
Everyone’s favorite Cylon, Tricia Helfer, is baring it all for Playboy.
Number Six, clothes zero.
Tricia Helfer, darling of Donalda and sex-oozing Cylon of TV’s hit Battlestar Galactica, is baring all in the latest Playboy.
What’s that sound you hear? Geeks shattering the sound barrier on their way to the 7-Eleven across from their parents’ basement?
Or gasps of disapproval from her hometown, a central Alberta village of fewer than 300 residents?
Helfer knows to expect both.
“I haven’t heard from anybody back home (yet), so I’m sure I’ll get a little bit more inundated next week,” Helfer says from L.A.
As for what the reaction to the 10-page nude pictorial — shot in Acapulco — will be, she admits, “I’m not sure. Obviously, there are all spectrums (of opinion), but I went into it knowing that. There will be people who disagree with it and people who think it’s fantastic. But I didn’t do it for other people, I did it for myself.
“I talked to every member of my family and essentially asked their permission. I wouldn’t do something to highly embarrass my family. They were all supportive. I went over the details with all of them.” She concludes, “Everyone’s going to get to see a lot more of me.”
The appearance — a no-brainer, really, considering as Number Six, a smouldering cyborg siren, Helfer has become science fiction’s newly minted sex symbol — comes after a two-year courtship in which the magazine’s editors pursued the statuesque former model.
So why did Helf say yes to Hef — or at least Hugh Hefner’s empire — now?
“I guess the timing is key quite often. In my mind, the timing was right. I got to choose the photographer and I always wanted to work with Sante D’Orazio and I had photo approval and my husband is 100 per cent behind it.”
She was further swayed when the magazine’s editors pointed out the other women who had doffed their duds in Playboy. “Charlize Theron, Gabrielle Reese, models like Stephanie Seymour and Cindy Crawford, Jamie Pressly — I respect these women. I looked at the photos they had done. They were beautiful, tasteful pictures. And coming from the modelling world, I certainly was not squeamish about nudity. We all have the same parts … (Modelling), you have to get used it. Not that that means you’re walking down the street flashing everyone.”
And while two years ago, she was still trying to establish herself as an actress — turning her back on a lucrative modelling career to do so — she now finds herself on Battlestar, a series which has garnered critical acclaim far surpassing anyone’s expectations.
Remember, in the goofy 1970s original series people wore capes, jumpsuits and played with robotic teddy bears. The disarmingly gritty redo, conversely, concerns itself with war, terrorism and paranoia.
“I wanted to get a base out there of people who know me as as an actor. I didn’t want to be thought of as someone who got one lucky job. I now have a career and my resume is growing. (The Playboy pictorial) is a compliment to a building career.”
[...]
This week, Helfer heads to New York to tape an appearance on the Late Show with David Letterman tomorrow (the episode airs Friday). Then on Tuesday, she’s a guest on Howard Stern’s radio show. It’s her first time being interviewed by either media titan.
[...]
Stern, one expects, will reference the Playboy photos once. Or twice. Or more. “Who knows where (that conversation) will go? But Howard Stern is a big Battlestar fan, so that may make it a little easier. Or it may make it worse.”
[...]
Meanwhile, she awaits reaction to the Playboy spread from Donalda, which she just visited for four days at Christmastime. What might guys she dated in high school think when perusing the magazine, for example? She laughs, ” ‘I never saw those before!’ ”
Steven Taylor wonders why Helfer would pose node now, given her success as a serious actress, “One would think that Helfer would prefer to be taken seriously more for her acting talent at this stage of the game, rather than for other aspects of her career.” I suspect the payment was substantial.
And, as a quick glimpse at Google Images will demonstrate, it’s not like Hilfer hasn’t been photographed naked before.
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Popularity: 67% [?]
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