Matthew McConaughey has decided to follow aborignal custom — even though he’s of Irish ancestry — and planted the placenta of his son Levi under a tree.
Matthew McConaughey says the birth of his son will help bring a little joy to others in the world someday. The actor kept the placenta from the July birth of his son and plans to plant it in an orchard, he tells CNN’s “House Call with Dr. Sanjay Gupta” in interview scheduled to air in two parts Aug. 9 and Aug 16.
McConaughey says he hopes it will fertilize the land, a ritual long followed in several cultures. “It’s going to be in the orchards and it’s going to bear some wonderful fruit,” he says, according to an interview transcript. “When I was in Australia, they had a placenta tree that was on the river … and all the placentas of all that tribe, all that clan, whatever aboriginal tribe that was, all the placentas went under that one tree and it was this huge behemoth of just health and strength. This tree was just growing taller and stronger above the rest of Mother Nature around it. It was gorgeous.”
McConaughey also says he and his girlfriend Camila Alves have enjoyed integrating their new baby, Levi Alves McConaughey, into their lives. Already they’ve started introducing him to the “sights and the sounds” of the world — including a John Mellencamp concert.
Dude, that’s just weird.
Source: McConaughey to plant son’s placenta in orchard [AP]
Rush will be making their first U.S. television appearance in more than thirty years on Comedy Central’s “Colbert Report.”
The Canadian band Rush, which hasn’t performed on U.S. television in more than three decades, will play their classic “Tom Sawyer” on the Comedy Central show Wednesday (11:30 p.m. EST). The Geddy Lee-led trio, which is currently on tour, hasn’t played on U.S. television since 1975.
Rush is only the latest act to perform on “The Report,” which has steadily edged closer to “Ed Sullivan Show” territory. With increasingly frequent musical performances, “The Report” has grown a variety-show impulse, evident in other upcoming bookings. The rapper Nas will perform on July 23, Toby Keith will return for a second performance on July 28 and Crosby, Stills and Nash will play on July 30.
The Stephen Colbert-hosted comedy show was originally launched as a parody of conservative political punditry — and shows like “The O’Reilly Factor” do not make a habit of hosting music performances. But “The Report” circus has expanded into musical realms, often with its sonorous host joining in. John Legend, Neil Young, R.E.M., Tony Bennett, Peter Frampton, Willie Nelson, Barry Manilow, John Mellencamp, the Roots and Carole King have all performed on the show.
Cool. Here’s a video of Rush playing “Tom Sawyer,” albeit not on “The Colbert Report.”
Like “South Park Republicans,” the concept of “conservative rock songs” is rather counterintuitive. Nonethless, the editors of the venerable National Review of compiled a list of the top 50.
The New York Times lists all 50 and provides NR’s reasoning, some of which is rather strained. And a few of the songs are by no means “rock,” even by the expansive new definition that includes Aretha Franklin.
1. Won’t Get Fooled Again,” by The Who.
The conservative movement is full of disillusioned revolutionaries; this could be their theme song, an oath that swears off naive idealism once and for all. “There’s nothing in the streets / Looks any different to me / And the slogans are replaced, by—the—bye. . . . Meet the new boss / Same as the old boss.” The instantly recognizable synthesizer intro, Pete Townshend’s ringing guitar, Keith Moon’s pounding drums, and Roger Daltrey’s wailing vocals make this one of the most explosive rock anthems ever recorded — the best number by a big band, and a classic for conservatives.
I’m not sure cynicism and an acknowlegement that Leftist causes eventually become conservative staples is a conservative viewpoint–although it’s generally correct. Surely, this isn’t the best example of a conservative rock song?
2. “Taxman,” by The Beatles.
A George Harrison masterpiece with a famous guitar riff (which was actually played by Paul McCartney): “If you drive a car, I’ll tax the street / If you try to sit, I’ll tax your seat / If you get too cold, I’ll tax the heat / If you take a walk, I’ll tax your feet.” The song closes with a humorous jab at death taxes: “Now my advice for those who die / Declare the pennies on your eyes.”
More populist than conservative. But yes.
3. “Sympathy for the Devil,” by The Rolling Stones.
Don’t be misled by the title; this song is “The Screwtape Letters” of rock. The devil is a tempter who leans hard on moral relativism — he will try to make you think that “every cop is a criminal / And all the sinners saints.” What’s more, he is the sinister inspiration for the cruelties of Bolshevism: “I stuck around St. Petersburg / When I saw it was a time for a change / Killed the czar and his ministers / Anastasia screamed in vain.”
Not sure Jagger and company were going for a conservative theme. Douglas Cruickshank provides an excellent literary take on it for Salon.
4. “Sweet Home Alabama,” by Lynyrd Skynyrd.
A tribute to the region of America that liberals love to loathe, taking a shot at Neil Young’s Canadian arrogance along the way: “A Southern man don’t need him around anyhow.”
Definitely a Southern anthem but not sure there’s much “conservative” about it, aside from vague pro-Wallace sympathies and the line “Now Watergate does not bother me/Does your conscience bother you?”
7. “Revolution,” by The Beatles.
“You say you want a revolution / Well you know / We all want to change the world . . . Don’t you know you can count me out?” What’s more, Communism isn’t even cool: “If you go carrying pictures of Chairman Mao / You ain’t going to make it with anyone anyhow.” (Someone tell the Che Guevara crowd.)
This is a classic case of liberal values become conservative over time. The Lads were pretty liberal even by the standards of 1960s era twentysomethings. They were just also anti-violent and anti-Communist. So, incidentally, was George McGovern.
16. “Get Over It,” by The Eagles.
Against the culture of grievance: “The big, bad world doesn’t owe you a thing.” There’s also this nice line: “I’d like to find your inner child and kick its little ass.”
This one deserved to be much higher on the list. Again, though, Henley and company are hardly conservatives.
20. “Rock the Casbah,” by The Clash.
After 9/11, American radio stations were urged not to play this 1982 song, one of the biggest hits by a seminal punk band, because it was seen as too provocative. Meanwhile, British Forces Broadcasting Service (the radio station for British troops serving in Iraq) has said that this is one of its most requested tunes.
An inspired choice, although a case of a song being seized upon people with radically different sympathies than the songwriter.
31. “Small Town,” by John Mellencamp.
A Burkean rocker: “No, I cannot forget where it is that I come from / I cannot forget the people who love me.”
Mellencamp will cringe if he finds out conservatives are glomming onto his music.
35. “Who’ll Stop the Rain,” by Creedence Clearwater Revival.
Written as an anti—Vietnam War song, this tune nevertheless is pessimistic about activism and takes a dim view of both Communism and liberalism: “Five—year plans and new deals, wrapped in golden chains . . .”
Again, cynicism is not conservatism.
50. “Stand By Your Man,” by Tammy Wynette.
Hillary trashed it — isn’t that enough? If you’re worried that Wynette’s original is too country, then check out the cover version by Motörhead.
Matthew McConaughey says the birth of his son will help bring a little joy to others in the world someday. The actor kept the placenta from the July birth of his son and plans to plant it in an orchard, he tells CNN’s “House Call with Dr. Sanjay Gupta” in interview scheduled to air in two parts Aug. 9 and Aug 16.
