Before making it big every celebrity has to get their starting break for them to be noticed and for some of them this means doing some very cheesy commercials. Guyism have come up with a list of 10 commercials that are the most embarrassing “before they were famous” moments. I’m sure the celebrities don’t really care now since they are raking in millions. But it’s fun to watch them back then.
10. Keanu Reeves for Corn Flakes
What kind of event requires a seating placement for hundreds of people and nothing to eat but dozens of boxes of Corn Flakes? Who cares!? The point is, it’s young Keanu Reeves’ job to put all these boxes out while dancing around like a buffoon.
09. Brad Pitt for Pringles
Yep, before he got all famous and into adopting babies and stuff, Brad Pitt was pushing Pringles as a beefed up beach boy. As you can tell by the video, it’s clear that Brad wasn’t likely hired for his acting talent, but rather his ability to keep the prime Pringles target market (ostensibly, girls aged 12 to 25) glued to the TV screen with his ripple-y muscles.
08. Tina Fey for Mutual Savings Bank
This 1995 bank commercial pretty much sums up the poor fashion choices that were the 1990s. While she may be one of the hottest ladies in comedy these days, that short mom haircut and stylish floral vest just don’t do her beautiful personality justice.
07. Leonardo DiCaprio for Bubble Yum
The truth is out, Leo’s actual totem in Inception was a single package of Bubble Yum Bubble Gum. Check the video to see a Growing-Pains-era DiCaprio using his adorable teen looks to blow your mind with the bursting flavor of this outrageous gum.
06. Bruce Willis for Seagram’s Wine Coolers
Hey, check it out — we’re just a bunch of fun-loving guy who like to sing and get tipsy off of totally manly wine coolers! While the advertising idea isn’t all that solid, what is solid is Bruce Willis’ corny dance moves and overly enthusiastic smile.
05. Morgan Freeman for Listerine
Yikes! Poor Morgan Freeman is forced to take on a somewhat racist dialect in this old-school commercial for Listerine. Clearly, Listerine was after that exciting and still fairly new idea of targeting the “ethnic” market.
04. Seth Green for Snapp’s Hamburgers
Ooh… those expensive burger joints make me SO ANGRY!! Thankfully, a young Seth Green (circa 1991) and his enthusiasm for overcharging has shown me just how terribly those “other” hamburger restaurants are treating their customers. From now on, I’m getting my burger fix at Snapp’s (FYI – Snapp’s is now Rally’s)!
03. Jack Black for Atari’s Pitfall
Little Jack Black looks about 200-lbs. lighter in this commercial for the early video game classic, Pitfall. While he may have put on a few pounds over the past couple decades, that unique enthusiasm he brings to the screen still holds true.
02. Demi Moore for Diet Coke
How far would you go to get your Diet Coke fix? Well, if you’re a young Demi Moore, you’d climb out onto a high-rise ledge to get yourself some of the sweet, sweet soda. Thankfully, despite the ridiculous shoulder pads and apparent plummet to her death, lucky Demi seems to find love in the end.
01. Lindsay Lohan for Jell-O
Here’s a sad reminder of innocence lost. Lindsay Lohan and her awesome hat team up with Bill Cosby to push Jell-O in this 1996 commercial. Though her appearance is nothing more than a cameo, I think it’s fair to say those little freckles of hers stole the show.
It’s Election Day, and after countless political ads leading up to this moment, there’s one that has Morgan Freeman fuming.
In the battle for the fourth district of North Carolina, Republican candidate B.J. Lawson ran an ad against his Democrat counterpart Rep. David Price which his team originally claimed was Freeman’s voice, but the Oscar winner strongly denies it.
“I have never recorded any campaign ads for B.J. Lawson and I do not support his candidacy. And, no one who represents me ever has ever authorized the use of my name, voice or any other likeness in support of Lawson or his candidacy.”
Lawson’s camp quickly scrambled after Freeman denied their claim, blaming the production company for the error in an interview with CNN.
“We’re apologizing to Congressman Price, to the voters, and most of all to Morgan Freeman because this is not the campaign we wanted to run, and not the campaign we have run,” spokesman Martin Avila said.
These days most actors are only in the business to make a quick dollar and get famous, but there are some who actually still care and enjoy acting. Cinema Blend have come up with a list of 20 actors who do care and deserve your support.
Ricky Gervais
In 2004, The Office became the first British sitcom ever to win a Golden Globe for Best Comedy. They never filmed another episode. Three years later, despite reported requests to guest star from Madonna, Brad Pitt and Will Ferrell, Ricky Gervais decided not to film another season of Extras. Walking away from a starring role on a major sitcom just as it becomes most profitable is almost unheard of, doing the same thing twice is either a sign of lunacy, a testament to just how much he really cares or an almost superhuman belief in his own abilities as a comedian. Decades ago, people said the same thing about Bob Newhart, more recently, they’ve said it about Dave Chappelle. I haven’t the slightest idea what the truth is, but that’s pretty damn good company to be in. Ricky Gervais deserves your support because he left two brilliant, critically-adored television shows of his own creation to do a movie lampooning God. Then he followed it up with a sentimental dreamedy about growing up in England. It’s as if he’s deliberately killed all momentum he had, cocksure he could rebuild again at any time of his choosing. We’ve yet to see the best out of Ricky Gervais, and when it comes, Cinema Blend will be the first in line to say I told you so. We’ll probably end up sharing credit with Barry from EastEnders.
Viggo Mortensen
Viggo Mortensen is a smolderer. He opens those intense, I-know-how-to-build-my-own-kitchen eyes, and he wins my girlfriend over every time. Obviously, I want to hate him because anyone that ruggedly handsome has to be despised on principal alone, but like Paul Newman and his absurdly delicious salad dressing, there comes a day when you just have to admit a dude’s alright. Viggo Mortensen could have gone the way of Eric Bana, it certainly would have been expected by this writer, but since The Lord Of The Rings climaxed, he’s done nothing but take intense borderline indies and one movie about horses. Turns out that’s excused because he’s reportedly just real into horses. I would write a movie about polish sausage if someone paid me, a man can’t change who he is. Viggo Mortensen is a character actor at heart, he’s a method, no-restraint genius who looks like a mechanic, crossed with zoo keeper, crossed with a brooding former model turned emotionally-tortured bad boy. I need to stop holding that against him. If not for my own credibility, so he won’t steal my girlfriend and kill me with his bare hands in my sleep on his way to winning at least three Oscars before he’s done.
Bill Murray
Bill Murray doesn’t have an agent. He has an answering machine. Leave him a message and if he likes your movie, he might call you back. Most likely he won’t. I suspect Bill Murray cares about life more than he cares about movies. He spends his days on drunken golf outings or eating lunch with Anthony Bourdain. When he chooses a movie it’s only because he thinks it’ll enrich his life to do it. Maybe it’ll enrich yours too. He’ll show up on set when he feels like it and when he arrives, he’ll be everything you could ever hope Bill Murray would be. He’ll hang out at crack jokes, he’ll entertain the crew between takes. When someone turns the camera on, he’ll give it his dead pan all, he’ll elevate every scene he’s in, he’ll make your movie better than it ever could have been if you’d cast anyone else. Then he’ll wander off back to his life, randomly tending bar in Austin and doing whatever it is that Bill Murray does with his endless weekends. He’d like to win an Oscar, he probably should have gotten one for Lost in Translation. But he doesn’t care about pleasing his fans, he won’t do anything just because you want him to. He’ll only do it if he wants to. Bill Murray mostly he cares about life and while you’re cashing paychecks for doing movies about giant robots, he’ll be out there living his.
Kate Winslet
I think Kate Winslet would be better off if she made more movies like The Holiday. That opinion, along with many others, is why I’m not necessarily a writer you should support. For all the laurels I’ve rested on, all the middle-of-the-road, audience-pleasing editorials I’ve delivered, I could never be Kate Winslet. Conventional wisdom dictates one should take roles which further her career, monetarily or critically, Kate Winslet has spent the last decade and a half taking movies like Little Children and The Reader which have merely reinforced her reputation as a woman more interested in achieving than pleasing. There’s nobility in that aim. Only the virtuous would sacrifice manufactured emotion for brutal honesty. That’s why I’m willing to sacrifice Michael Caine, who was originally going to be on this list. 20 actors is more search friendly than 21. Kate Winslet is better than that. That’s why she gets her own paragraph.
Crispin Glover
I’m pretty sure I get Crispin Glover about thirty percent of the time. That’s about twenty percent higher than most people and twenty percent less than Crispin Glover gets himself. Maybe. The how’s-and-why’s of the most honestly, happily eccentric man in show business are too confounding for a single paragraph. There was his Letterman appearance where he fired a roundhouse kick at Dave’s head, his republishing of a book about rats with CIA-style blackouts, his asking the director to remove all of his lines in Charlie’s Angels. The outlandish idiosyncrasies are enough to make OCD-patients look benign. He’s either accidentally stumbled upon that genius level of insane a few people have every generation or he’s carefully calculated an intentionally eerie public persona, the likes of which haven’t been topped since Nero. Lou Reed, on his most desperately anti-social day, skewers toward mass appeal projects twenty percent more than Crispin Glover. It’s like he carefully measures out just enough rope to almost hang himself and then climbs further up the tree. Peeping Toms, one-armed bellhops, Andy Warhol, these are the men Crispin Glover puts life into. He’s a personification of the mystery box, a creepy, off-putting Knave of Hearts lurking behind door number three. I can support that, at least thirty percent of the time.
Morgan Freeman
Wanna know what Morgan Freeman is up to right now? He’s narrating Through The Wormhole on the Discovery Channel. Let’s take a second to think about that. Morgan Freeman, a beloved actor with his handprints at the Chinese Theater, is doing the voice work for a little-seen basic cable documentary series. It’s certainly not because he can’t get work or because he’s somehow now incapable of acting, Morgan Freeman is still at the height of his cinematic power and influence, which is why he’s narrating one of the most fascinating programs on the origins of life I have ever seen. Maybe Through The Wormhole shows up without Freeman’s involvement, in fact, it likely does, but would Discovery be running highly-rated marathons of it? I seriously doubt it. Morgan Freeman invokes an aura of legitimacy. Even when he does absolute shit like Evan Almighty, it never really tarnishes his ability, probably because he never stoops or panders, grovels or lowers himself to embarrassment. All the greats, Joe Dimaggio, Ted Williams, they struck out too, but they did so with class, with a confident, I’ll-get-you-next-time grin. Don’t believe me? Then go ahead and stamp your forms, sonny. I doubt Morgan Freeman gives a shit.
Michelle Williams
Michelle Williams made a movie about walking around town looking for your dog, and it was one of the best movies of 2008. If there’s a great movie you’ve never heard of, odds are she’s in it. She could do blockbusters, where she’d invariably be cast as some superhero’s girlfriend. She’s pretty enough, she’s talented enough, and she’s well known enough. I’m sure Marvel wishes they could get her in The Avengers. They can’t. I doubt they’d even ask. Michelle Williams isn’t in it for the glory, or the money, or even accolades. She’d have to be in movies people are likely to see, to get any of those. I’m left to assume that she works because she genuinely likes acting, and chooses her roles accordingly. She’s quietly perfect in everything she does. When she’s in an ensemble you may not even notice her, because she’s so good she’s simply that character. She’s famous, but when you see her you’ll almost never think “hey that’s Michelle Williams”. Even though you’ll never notice, everything is better with her in it, and if it wasn’t already good she wouldn’t be in it anyway. Got a lost dog? A midget in need of a friend? A gay husband in need of a confidant? Got a quiet, incredibly smart movie which probably won’t sell tickets but really should be seen anyway? Give Michelle Williams a call.
Tom Hanks
More than anything else, this list is a celebration of risks. It’s an ode to the men and women who try new things, carve their own paths and make us alter the way we see movies; why is why, at first glance, Tom Hanks seems a bizarre fixture amongst the Viggos and Kate Winslet’s. There’s something intuitively safe about Tom Hanks. One big budget film a year in which he plays a loveable good guy tearing at the audience’s sympathies. But like a wise father who knows when its time for discipline and when it’s time for ice cream, Tom Hanks is only safe because he’s consistently proven for two decades that he knows what he’s doing. Ask people what their favorite Hanks movies are and not only will you get different answers, you’ll get different genres. Philadelphia is a legal drama about AIDS. Saving Private Ryan is a horrifying World War II picture. That Thing You Do, my personal favorite, is a disposable piece of early 60s nostalgia. Cast Away, The Green Mile, Catch Me If You Can, Bachelor Party, hell even You’ve Got Mail has its ardent supporters, me included. Tom Hanks may not stray us too far from our comfort zones, but right now, at this moment, he is the only actor in Hollywood who still carries a legitimate seal of quality. This paragraph was written in the USA and is Hanks-approved.
Edward Norton
I’ve never played Clue with Edward Norton, but I’m almost positive he takes notes on the questions other players ask, just like I’m positive he buries players for cutting across the middle, argues like a woman scorned and consistently orders the best thing on the menu. Edward Norton is the type of guy who despises second place performances and phoned in efforts with every ounce of his will power. One could argue he simply fights for the sake of fighting, obsesses for the sake of obsessing, his difficult-to-work-with reputation would probably speak to that, but I honestly believe he’s just life-or-death invested in everything he does. You can’t partially commit to paying a skinhead, nor can you obscure your own identity behind a mask for an entire movie because it somehow selfishly helps you. Edward Norton cares, probably too much. He’s the guy who corrects the teacher when he’s misinformed, even when he knows it’ll get him kicked out of class. What’s worse being a tedious failure or a disliked genius? I don’t know. Let me rewatch Primal Fear before I answer that.
Daniel Day-Lewis
Lewis spent eight months learning and training for his character in The Last Of The Mohicans. This is not unusual in itself—the training—even the guys in The A Team went to Army Boot camp. But the performances of Daniel Day-Lewis are different from that of Bradley Cooper not simply because of Day-Lewis’ clearly superior acting or his ability to mold dialogue (which are obviously not part of Bradley Coopers will-be-handsomer-than-thou schtick), but in the choosing of characters and the projects he picks. This becomes obvious with only one glance at Day-Lewis’ Filmography. While the man has been on the radar since the mid eighties and has been given leads since ’88, when he played in Philip Kaufman’s The Unbearable Lightness of Being, in the last twenty years, he has acted in nine films. Nine, yes the same number, yes, there’s a joke in there somewhere, but we’re not finding it so let’s move on. Suffice to say, we should support Daniel Day-Lewis, because if we don’t, he might actually have to take his first role for a paycheck in decades. I hear Phil’s character needs a father in The Hangover 2.
Julianne Moore
Do you remember Julianne Moore in The Fugitive? I do, and I saw that movie once, probably five years ago, played on cable with commercials. And it’s not just her hair (that would clearly cause members of South Park to riot), it’s not her height, her lissom lack of curves, or even her charming smile. It’s not the role she plays in the film—she’s a doctor who helps Harrison Ford’s character in a modestly important part. There’s something more important than a striking appearance in Moore’s portrayal of Doctor Anne Eastman. She’s memorable, and whether her convincing acting was the entire culprit or whether her body language and facial features played a part is an entirely beside-the-point argument, because on the merit of this role in The Fugitive, Spielberg cast her as a lead in The Lost World without an audition. Then, P.T. Anderson had to actually court her repeatedly for his film Boogie Nights. I’d like to present a few more points of evidence. Ms. Moore has often and repeatedly taken roles that would offer her more interesting parts over more money, although she has had successful box office hits. Her recent foray The Kids Are All Right exemplifies this. She once said, “I don’t understand fame without content.” And if there is anything a movie watcher should support, it’s content over fluff. Julianne Moore has taken the acting world into two hands and triumphed. And maybe, just maybe, Julianne Moore could be the one ginger South Park residents could love.
Joseph Gordon-Levitt
Joseph Gordon-Levitt is 29 years old. In acting years, this is the equivalent to Julianne Moore appearing in the made for tv-movie Money, Power, Murder. It’s Pacino before The Godfather, Spacey before Glengarry Glen Ross… it’s Costner while his scenes were being deleted from the Big Chill. I know, I know, the opposite argument could be applied to this paragraph—that many actors begin youngish careers and are successful. What separates Joseph Gordon-Levitt from these other young career seekers is his choice of roles. He’s not picking roles blindly, he’s not an “if you find a fork in the road, take it” kind of guy, but he’s also not simply an obscure-indie-loving, “I took the road less traveled by,” kind of guy. By straddling two worlds, Joseph Gordon-Levitt is able to have his cake and eat it too. Which means we get to see him play fresh characters across the board, from Brick to The Lookout, from (500) Days of Summer to Inception. Even when he chooses big budget films like G.I. Joe, he still feels Downey fresh. Pretty clean for a kid who began his career doing peanut butter commercials.
Jet Li
Jet Li is on this list because he isn’t Jackie Chan. Both once had an unmatched talent for brilliant action sequences. Earlier in his career and right up through the 90s, Jackie Chan made better movies than Jet Li. He just did. Jackie had better stunts, Jackie has a sense of humor. Jet Li simply has the ability to kick ass. But in the new millennium, as they both got older and the stunts got harder to do, Jackie Chan sold out. He stopped doing his own stunts and lied about it. He started doing horrible, Hollywood babysitting movies, just for the paycheck. And while early in his career Jet Li was never as good as Jackie Chan, later in their careers he’s the one who didn’t sell out. Instead of using his fame to get big paychecks doing terrible movies, Li used it to fund passion projects like Hero and the beautiful martial arts history movie Fearless. When he does do a big Hollywood movie, he tries to pick something interesting. His movies aren’t perfect and neither are his choices. But even though he’s older and the stunts that made him famous are getting harder to do, Jet Li hasn’t sold out. Jet Li will never be as fun to watch as Jackie Chan, he’d never be able to pull of a real acting role like Jackie’s in The Karate Kid. Jet Li’s idea of slumming it is doing a ridiculously fun movie like The Expendables or being the best thing about a bad Mummy movie. Jet Li will never be a babysitter and his work, while far from perfect, is almost always worth the price of admission.
James Franco
James Franco is not a good actor. But it’s not a lack of effort which makes him mediocre at best, merely a lack of talent. Franco compensates by making it a point to be interesting. He picks roles he has no business doing, seeks out projects that better actors might be afraid to touch, and damn his ability he’s doing them anyway. James Franco should probably try to get by solely on his James Dean good looks, he should probably go wherever that crooked smile takes him, but he’s not interested. Talented or not he’s out there doing the insane and the ridiculous. He shows up when you least expect him, playing the weirdos, the stoners, pulling off the crazed hillbilly cameo in a movie for an audience which will ultimately forget he was ever in it. James Franco does soap operas, just because it seems like fun. He finds his way into movies which, if his role were played by someone else, might have won them an Oscar. James Franco’s only real asset is that he’s pretty, but he refuses to use it. James Franco is not a good actor and many of the movies he’s been in might have been better if his role were given to someone else. But that’s not his fault, that’s not his problem. Some of those movies wouldn’t have been made at all without him. James Franco is not a good actor, but that hasn’t stopped him from giving it his all. He’s too small to play running back, too slow to hit a fast ball, too short to dunk on an NBA regulation hoop. Sure he could give it up, move to China, and have a successful career in men’s table tennis instead; but he’s out there, giving it everything he’s got anyway. James Franco should probably be Ashton Kutcher, but he’d rather be Dustin Hoffman. He’ll never get there, and I suspect he knows it, but you have to love the guy for trying.
Jeff Bridges
Jeff Bridges didn’t really like making movies at first. He did it because everyone else in his family did it, and they sort of talked him into it. But Jeff wasn’t going to stick with it, unless he really fell in love. At some point, he did. These days Bridges doesn’t do it unless he loves it. Jeff is Hollywood legacy, he doesn’t have to make movies, he chooses to make them. When he chooses one, he chooses it only because it’s something he believes in, only because it’s something he thinks you’ll believe in. Sometimes he’s wrong (The Door in the Floor) but most of the time he’s right. Every time Jeff Bridges shows up on screen there’s always reason to think and hope that this could be the next Big Lebowski, the next Fisher King, the next Tucker, the next Starman. Jeff Bridges cares about what he’s doing. He cares about the characters he’s playing. He cares about his audience. Maybe he’ll make the occasional wrong move, every once in awhile he’ll do The Men Who Stare At Goats. It doesn’t matter, the movie may be bad, but odds are he’ll still be the best thing about it. He’ll probably even make it watchable. The day Jeff Bridges stops caring is the day he stops doing it and holes up somewhere to focus entirely on his photography. It doesn’t matter what Jeff Bridges is in, rest assured that he’s only doing it because he believes it’s worth your time.
Meryl Streep
Meryl Streep is so good that she’s become a cliché. She’s good in everything and everyone knows it. She’s a character actor, when you need someone to play a culinary Big Bird or the bitch from hell boss. She’s a leading lady, whenever you need someone to make out with Alec Baldwin. She has two Oscars, but she’d probably have more, except these days everyone just expects Oscar-worthy performances from her. Lately, she delivers at least one of those, almost every year. She’s done it by being good and making it a point to work with good people. These days she really doesn’t have to go through the effort. She’s Meryl Streep and if she’s attached to a project other good talent will surely follow. So she could phone it in, and let the Steve Martin carry the load. But she won’t. She’s the consummate professional. Meryl’s name on a movie poster is a symbol of quality, it means something, the way Ford used to back when Henry was still alive and the company gave a damn. The way Disney used to, before everyone found out Walt was probably a secret Nazi. The way GE used to be, back when they were all about making great toasters. Most of the names we’ve come to rely on have long since had their reputations tarnished. But not Meryl Streep. She’s still going strong.
Adrien Brody
After winning an Oscar for his work in The Pianist Adrien Brody had the hardware he needed to chart his own course. He could have carved out a career doing period dramas and kissing girls in corsets. That’s what respectable Oscar winners do. Or he could have thrown it all away for a series of big paychecks lending credibility to horrible films, let’s call that the Cuba Gooding Jr. method. Instead he decided to make movies about things he liked and Adrien Brody, it seems, loves smart quirky, genre movies. He likes brain-benders about science run-amok. He likes detective stories, and time travel and fantasies about strange other worlds. Maybe his choices haven’t always worked out, I don’t think anyone would argue in favor of The Jacket, but they’ve all come from the right place. Brody picks movies because he thinks they’re interesting, or because they’re about things he’s interested in. Whether or not that results in something good every time around, it always seems to result in something that tries. The thing is, Adrien Brody is out there trying. He’s not cashing paychecks or chasing more awards attention, he’s just doing movies he thinks he’d like to see on screen and in the process hopes that it’s something you’d like to see too. Everything Adrien Brody does at least attempts to be something bigger than the sum of its parts. It’s not the usual shlock. He could do Transformers 3, and maybe he’d make more money. He could do a Jane Austen movie, and he’d almost certainly get more respect from the cinematic snobs. But instead Adrien Brody does Splice and Adrien Brody does Predators, because Adrien Brody is doing what he loves.
Leonardo DiCaprio
As I write this, Leonardo DiCaprio has 22 film projects in development. He’s not starving for an audience; in fact, he may be one of four individuals whose films I will see regardless of whether I am interested in their content (the others being Day-Lewis, Spacey, and Cruise). I’m not choosing to write about him because I feel an urgent need for readers as individuals to support DiCaprio—he is such a prevalent icon at this point regardless of whether you liked his accent in Blood Diamond or the authenticity of his knife throwing skills in Gangs of New York. In the last decade, nearly every movie he’s made is watchable, in the sense it has some interesting shit going on, often because of DiCaprio himself (and most often because these films are good). Did you read the Richard Yates book Revolutionary Road is based on? It’s like F. Scott Fitzgerald’s Tender is the Night, only it gets more aplomb in critical circles. The reason I bring up Revolutionary Road, is because the narrative closely follows my feelings on DiCaprio. The first thirty pages are classic, filled with new and interesting narrative styles and ideas, the ideas. If you reread again there is always something new, something you missed the first time that you wouldn’t have even known how to look for. After that, the book sort of takes on its own vibe, goes in directions that aren’t reassuring or familiar, and are sometimes even unlikeable. Yet for some reason, it is still compelling, and you find yourself sucked in to the very end. This is DiCaprio’s talent, to try new things, to sometimes steer off course, to go out to sea, but to know that when he’s going, to paraphrase Chris Rock, he’s going out fucking.
Ellen Page
Ellen Page has no business being on this list. She’s only 23. She hasn’t been around long enough to earn a place on it. We didn’t want to put her on it, but her work demands it. The thing is, Ellen Page may be only 23 but she’s already been in more good movies than more famous, more well-traveled, better respected Hollywood actors twice her age. That just can’t be an accident. Sure she had a role in the mostly terrible X-Men 3, but the brilliant part of that decision is that the entire movie was so shallow and empty odds are you’ve already forgotten it. But starting with Hard Candy in 2005 she’s made it a point to show up in some of the best and most interesting movies released every year and worked with some of the best writers and directors the movie industry has to offer. Maybe it’s her unconventional look or her even more unconventional style of acting that keeps them casting her, but a lot of it, you have to think, has been up to her. It’s not just that she keeps picking good movies, but she keeps picking different movies. Movies that no one else is doing. She’s been a molested child out for revenge, a pregnant hipster, a genius prodigy, a roller girl, and a dream designer. All of that in a space of less than five years. Ellen Page is too young to be on this list, too new to have a reliable track record. But here she is anyway.
Russell Crowe
It feels like Russell Crowe has made about thirty bad movies in a row. I looked it up. In actuality, he’s made nine movies in a row worse than A Beautiful Mind. That’s ten movies in a row worse than Proof Of Life, eleven movies in a row worse than Gladiator, and twelve movies in a row worse than The Insider. That’s not to say everything he’s done since The Insider has successively debilitated like the reflexes of Mohammed Ali after Joe Frazier beat the living hell out of him in Manilla, but it has been a slow, yet steady chug down from the untouchable good graces of the American public. Twelve movies in a row worse than The Insider, yet Russell Crowe is on this list largely at my behest. I can’t fully explain it away, or excuse his choices, but I can say I still believe in Russell Crowe. I believe in him because he narrates documentaries about Robin Hood on the History Channel, because he did a fucking Western. His recent choices may not have proven fruitful but it wasn’t because they were back-up plans. This is a man who truly cares about getting other men right, getting the nuances down, getting stories he believes in made. Cinderella Man is a good movie; so too are American Gangster and 3:10 To Yuma; they can’t all be better than The Insider. But if you keep watching long enough, another one of ‘em will be.
source: 20 Actors Who Deserve Your Support [Cinema Blend]
There are many actors who’s acting skills are very limited and proof of this is the fact they always play the exact same role all the time, except the character has a different name and is in a different movie but it’s basically still the same. Here is a list of 10 actors who always do this.
10. Jennifer Aniston
Role he plays: Working girl, generally blue collar ie (waitress). She is unlucky in love. She has some troubles finding a man but comes across a man that is perfect for her. They hit it off but something gets in the way through courage and struggle, she ultimately finds happiness within herself and gets the man.
Movies: The Good Girl, He’s Just Not That Into You, Office Space, Friends, The Break Up. Etc.
09. Katherine Heigl
Role he plays: Uptight, strong willed and hard-working shrew who loosens up through the progression of the movie because she is paired with a man who is her opposite. They bump heads through out the movie but ends up falling for the man she would have not picked for herself.
Movies: Knocked Up, Killers, The Ugly Truth
08. Bruce Willis
Role he plays: Badass cop/detective with a hard exterior. As the movie progresses he find his hard exterior being softened by his troubled past and finally begin to understand his perspective. He sometimes cracks jokes to lighten up the mood. He kicks some more ass and saves the day.
Movies: Every single Die Hard film, Hostage, Cop Out
07. Samuel L Jackson
Role he plays: He is yelling….a lot.
Movies: S.W.A.T., Pulp Fiction, Snakes On A Plane, Jackie Brown, Deep Blue Sea etc.
06. Cameron Diaz
Role he plays: Hot girl who is hot. Makes herself look ugly/stupid and acts a fool to play down her hotness. This is usually done by wearing a ridiculous outfit or the over usage of slapstick comedy.
Movies: My Best Friend’s Wedding, There’s Something About Mary, The Mask, The Charlie’s Angel movies, etc.
05. Will Smith
Role he plays: Non-threatening black man in a position of authority ie (cop, detective) who is stern yet approachable. Uses comedy to lighten the mood. Makes white people un-clutch their pearls.
Movies: Men in Black movies, Wild Wild West, I Robot, Bad Boys movies, Independence Day, etc.
04. Seth Rogen
Role he plays: Overeweight, unnattractive looking average joe who has a fixation for marijuana. Uses self-deprecating humor to show his humility. Goes for women that are out of is league physically and is aware of that fact.
Movies:Knocked Up, 40 Year-Old Virgin, Pineapple Express, Funny People, etc.
03. Will Ferrell
Role he plays: Vapid, clueless, stupid yet loveable man-child. He does things that grown men should not do and thus creates laughter. This is usually done with over the top outfits and animated reactions.
Movies: Step Brothers, Zoolander, Anchorman, Talladega Nights, Blades Of Glory, etc.
02. Morgan Freeman
Role he plays: Level headed and wise old negro with a voice that can soothe your pain. Usually conveniently shows up in a movie to offer advice.
Movies:Shawshank Redemption, Million Dollar Baby, Bruce Almighty, Se7en, Driving Miss Daisy, etc
01. Michael Cera
Role he plays: Socially awkward and scrawny adolecent who is a virgin. He is not like the other guys because he listens to The Shins and collects vinyl. He is sensitive and wears Vans sneakers. He likes girls that are out of his league but ultimately gets them to fall for him with his innate charm and boyish good looks. So basically, he just plays himself.
Movies: Superbad, Youth In Revolt, Arrested Development, Nick and Norah’s Infinite Playlist, Paper Heart, Scott Pilgrim vs The World, Basically everything he’s ever been in ever.
I agree with every single one of these and what makes me sick is they all make shit tons of money from basically playing the same role in every single movie. Then again I can’t really hate on them, if people are stupid enough to buy into their crap then why should they stop? Who would you add to this list?
source: 10 Actors Who Play The Same Role Over And Over [ONTD]
Celebrity endorsements mean a lot to marketing executives as their cash cows bring in the dough from the consumers. Take Tiger Woods, for instance. Before he crashed into that tree and cheated on his wife with numerous women, he was the spokesperson for Nike, Tag Heuer, Accenture and more name brands who trusted his name and face to their campaigns.
According to Gerry Philpott, the reason that we bother with celebrities at all goes something like this:
“In a very crowded media environment its hard for companies to stand out. They need those names to cut through the clutter.”
According to E-Poll, the highest ranked A-list celebrities made the cut for the highest in trustworthiness, awareness and appeal.
10. Denzel Washington
The Academy Award-winning actor has never shied away from Tinseltown’s more meaty roles, portraying historical heavyweights like Malcolm X and Hurricane Carter. Among the results: He commands his viewers’ attention–and respect–whether he’s playing a corrupt cop in Training Day or a depressed detective in The Bone Collector.
9. Bill Cosby
The Cosby Show star has earned himself an “America’s Dad” nickname and an instantly endearing image–and advertisers have taken notice. In fact, over the course of his decades-long career as an actor and comedian, he’s served as a spokesman for Jello, Kodak, Coca-Cola and Ford, among others.
8. Will Smith
The former Fresh Prince star has reigned over the box office with commercial blockbusters like Independence Day, Men In Black and I Am Legend. With talent, charm and a stable family life on his resume, Smith is the kind of celebrity marketers can’t help but drool over.
7. Ron Howard
The name–or better yet the freckled face of–Ron Howard conjures images of an adorable redhead named Opie Taylor (on The Andy Griffith Show) or an endearing teen by the name of Richie Cunningham (on Happy Days). But Howard has since proved that he has talent on the other side of the camera as well, directing and producing Oscar-caliber films like A Beautiful Mind, Apollo 13 and Cinderella Man. Up next he’ll update his 1980s flick Parenthood starring Peter Krause and Lauren Graham on NBC.
6. Sally Field
In recent years the Norma Rae star has garnered attention–and fans–as the Emmy-winning matriarch of the Walker family on ABC’s long-running drama Brothers & Sisters. Off set she’s lent her star power to a postmenopausal osteoporosis medication called Boniva.
5. Morgan Freeman
The Academy Award-winning actor and director is often described as the man who made films like Million Dollar Baby, Driving Miss Daisy and The Shawshank Redemption the successes that they were. Still others instantly associate him with reserved image and authoritative speaking voice. Freeman has put the latter to good use–he replaced Walter Cronkite as the voice that introduces the CBS Evening News with Katie Couric.
4. Mike Rowe
As host of Discovery Channel’s Dirty Jobs as well as the narrator for other series like Deadliest Catch and Ghost Lab, Rowe has endeared himself to an ever-expanding fan base. To date, companies like Ford and W.W. Grainger have already attempted to connect with those adoring fans–and their wallets.
3. Michael J. Fox
As Alex P. Keaton on the 1980s sitcom Family Ties, actor Michael J. Fox earned viewers’ affection. As a leading activist in the fight for Parkinson’s disease funding (a disease he was diagnosed with more than a decade ago), he has earned their respect. For these and other reasons (like talent and fame), Fox is among the marketing world’s safest bets.
2. Tom Hanks
Audiences laughed with Hanks as a wisecracking cross-dresser on the early 1980s cult comedy series Bosom Buddies. They cried with him as a homosexual AIDS victim in the 1993 tearjerker Philadelphia. And they rallied with him as a slow-witted Southerner in the 1994 runaway hit Forrest Gump. Throughout these and other roles the Academy Award-winning actor and director managed to earn their esteem, respect and confidence.
1. James Earl Jones
Jones boasts one of the most instantly recognizable voices in entertainment history –and a commanding presence to match. Still best known as the voice of Darth Vader in the original Star Wars trilogy, he’s also lent his voice to the CNN tagline and NBC’s Olympic coverage and his acting skills to everything from Conan the Barbarian to Field of Dreams.
Who would you add to the list? Who’s your favorite most trustworthy celebrity?
source: The 10 Most Trusted Celebrities – [forbes]
Now, as Paul Harvey would say, the rest of the story:
Days after he was involved in a serious car accident, a friend of “Dark Knight†star Morgan Freeman confirmed to Access Hollywood that the actor is getting a divorce. Freeman and his wife of 24-years, costumer Myrna Colley-Lee, “are involved in a divorce action,†the actor’s Mississippi-based attorney and business partner Bill Luckett told Access Hollywood. “And for legal and practical purposes, (Freeman and Colley-Lee) have been separated since December of 2007.â€
Freeman was involved in an accident late Sunday night, during which the car he was driving flipped end-over-end. The actor and his female passenger, identified as Demaris Meyer, were driving on Mississippi Highway 32 in a rural area of Tallahatchie County at 11:30 p.m. on Sunday evening, when Freeman’s car went off the right side of the road and flipped over. Freeman and Meyer, who has been described as the actor’s friend, were on the way to Freeman’s home when the accident occurred.
Oscar-winning actor Morgan Freeman has been injured in car accident in Mississippi and is in a hospital in Memphis. Regional Medical Center spokeswoman Kathy Stringer says Freeman is in serious condition.
The hospital, commonly known as The Med, is an acute-care teaching facility that serves patients within 150 miles of Memphis.
More details as they become available.
Freeman is 71 years old but it sounds like they’ve taken him to the right facility.
Mississippi state troopers told showbiz website TMZ.com that Freeman was involved in the crash at around 11.30pm local time on Sunday (5.30am BST), north of the small town of Ruleville. He was airlifted from the accident scene to the hospital in Memphis, Tennessee, where he is being treated.
State troopers told TMZ.com that the Oscar-winning actor was talking before he was taken to the hospital.
Clay McFerrin, editor of Sun Sentinel in Charleston, said he arrived at the accident scene on Mississippi Highway 32 soon after it happened about 4 miles west of Charleston, not far from where Freeman owns a home with his wife.
McFerrin said it appeared that Freeman’s car was airborne went it left the highway and landed in a ditch.
“They had to use the jaws of life to extract him from the vehicle,” McFerrin said. “He was lucid, conscious. He was talking, joking with some of the rescue workers at one point.” McFerrin said bystanders converged on the scene trying to get a glimpse of the actor. When one person tried to snap a photo with a cell phone camera, Freeman joked, “no freebies, no freebies,” McFerrin said.
Days after he was involved in a serious car accident, a friend of “Dark Knight†star Morgan Freeman confirmed to Access Hollywood that the actor is getting a divorce. Freeman and his wife of 24-years, costumer Myrna Colley-Lee, “are involved in a divorce action,†the actor’s Mississippi-based attorney and business partner Bill Luckett told Access Hollywood. “And for legal and practical purposes, (Freeman and Colley-Lee) have been separated since December of 2007.â€
