These days most actors are only in the business to make a quick dollar and get famous, but there are some who actually still care and enjoy acting. Cinema Blend have come up with a list of 20 actors who do care and deserve your support.
Ricky Gervais
In 2004, The Office became the first British sitcom ever to win a Golden Globe for Best Comedy. They never filmed another episode. Three years later, despite reported requests to guest star from Madonna, Brad Pitt and Will Ferrell, Ricky Gervais decided not to film another season of Extras. Walking away from a starring role on a major sitcom just as it becomes most profitable is almost unheard of, doing the same thing twice is either a sign of lunacy, a testament to just how much he really cares or an almost superhuman belief in his own abilities as a comedian. Decades ago, people said the same thing about Bob Newhart, more recently, they’ve said it about Dave Chappelle. I haven’t the slightest idea what the truth is, but that’s pretty damn good company to be in. Ricky Gervais deserves your support because he left two brilliant, critically-adored television shows of his own creation to do a movie lampooning God. Then he followed it up with a sentimental dreamedy about growing up in England. It’s as if he’s deliberately killed all momentum he had, cocksure he could rebuild again at any time of his choosing. We’ve yet to see the best out of Ricky Gervais, and when it comes, Cinema Blend will be the first in line to say I told you so. We’ll probably end up sharing credit with Barry from EastEnders.
Viggo Mortensen
Viggo Mortensen is a smolderer. He opens those intense, I-know-how-to-build-my-own-kitchen eyes, and he wins my girlfriend over every time. Obviously, I want to hate him because anyone that ruggedly handsome has to be despised on principal alone, but like Paul Newman and his absurdly delicious salad dressing, there comes a day when you just have to admit a dude’s alright. Viggo Mortensen could have gone the way of Eric Bana, it certainly would have been expected by this writer, but since The Lord Of The Rings climaxed, he’s done nothing but take intense borderline indies and one movie about horses. Turns out that’s excused because he’s reportedly just real into horses. I would write a movie about polish sausage if someone paid me, a man can’t change who he is. Viggo Mortensen is a character actor at heart, he’s a method, no-restraint genius who looks like a mechanic, crossed with zoo keeper, crossed with a brooding former model turned emotionally-tortured bad boy. I need to stop holding that against him. If not for my own credibility, so he won’t steal my girlfriend and kill me with his bare hands in my sleep on his way to winning at least three Oscars before he’s done.
Bill Murray
Bill Murray doesn’t have an agent. He has an answering machine. Leave him a message and if he likes your movie, he might call you back. Most likely he won’t. I suspect Bill Murray cares about life more than he cares about movies. He spends his days on drunken golf outings or eating lunch with Anthony Bourdain. When he chooses a movie it’s only because he thinks it’ll enrich his life to do it. Maybe it’ll enrich yours too. He’ll show up on set when he feels like it and when he arrives, he’ll be everything you could ever hope Bill Murray would be. He’ll hang out at crack jokes, he’ll entertain the crew between takes. When someone turns the camera on, he’ll give it his dead pan all, he’ll elevate every scene he’s in, he’ll make your movie better than it ever could have been if you’d cast anyone else. Then he’ll wander off back to his life, randomly tending bar in Austin and doing whatever it is that Bill Murray does with his endless weekends. He’d like to win an Oscar, he probably should have gotten one for Lost in Translation. But he doesn’t care about pleasing his fans, he won’t do anything just because you want him to. He’ll only do it if he wants to. Bill Murray mostly he cares about life and while you’re cashing paychecks for doing movies about giant robots, he’ll be out there living his.
Kate Winslet
I think Kate Winslet would be better off if she made more movies like The Holiday. That opinion, along with many others, is why I’m not necessarily a writer you should support. For all the laurels I’ve rested on, all the middle-of-the-road, audience-pleasing editorials I’ve delivered, I could never be Kate Winslet. Conventional wisdom dictates one should take roles which further her career, monetarily or critically, Kate Winslet has spent the last decade and a half taking movies like Little Children and The Reader which have merely reinforced her reputation as a woman more interested in achieving than pleasing. There’s nobility in that aim. Only the virtuous would sacrifice manufactured emotion for brutal honesty. That’s why I’m willing to sacrifice Michael Caine, who was originally going to be on this list. 20 actors is more search friendly than 21. Kate Winslet is better than that. That’s why she gets her own paragraph.
Crispin Glover
I’m pretty sure I get Crispin Glover about thirty percent of the time. That’s about twenty percent higher than most people and twenty percent less than Crispin Glover gets himself. Maybe. The how’s-and-why’s of the most honestly, happily eccentric man in show business are too confounding for a single paragraph. There was his Letterman appearance where he fired a roundhouse kick at Dave’s head, his republishing of a book about rats with CIA-style blackouts, his asking the director to remove all of his lines in Charlie’s Angels. The outlandish idiosyncrasies are enough to make OCD-patients look benign. He’s either accidentally stumbled upon that genius level of insane a few people have every generation or he’s carefully calculated an intentionally eerie public persona, the likes of which haven’t been topped since Nero. Lou Reed, on his most desperately anti-social day, skewers toward mass appeal projects twenty percent more than Crispin Glover. It’s like he carefully measures out just enough rope to almost hang himself and then climbs further up the tree. Peeping Toms, one-armed bellhops, Andy Warhol, these are the men Crispin Glover puts life into. He’s a personification of the mystery box, a creepy, off-putting Knave of Hearts lurking behind door number three. I can support that, at least thirty percent of the time.
Morgan Freeman
Wanna know what Morgan Freeman is up to right now? He’s narrating Through The Wormhole on the Discovery Channel. Let’s take a second to think about that. Morgan Freeman, a beloved actor with his handprints at the Chinese Theater, is doing the voice work for a little-seen basic cable documentary series. It’s certainly not because he can’t get work or because he’s somehow now incapable of acting, Morgan Freeman is still at the height of his cinematic power and influence, which is why he’s narrating one of the most fascinating programs on the origins of life I have ever seen. Maybe Through The Wormhole shows up without Freeman’s involvement, in fact, it likely does, but would Discovery be running highly-rated marathons of it? I seriously doubt it. Morgan Freeman invokes an aura of legitimacy. Even when he does absolute shit like Evan Almighty, it never really tarnishes his ability, probably because he never stoops or panders, grovels or lowers himself to embarrassment. All the greats, Joe Dimaggio, Ted Williams, they struck out too, but they did so with class, with a confident, I’ll-get-you-next-time grin. Don’t believe me? Then go ahead and stamp your forms, sonny. I doubt Morgan Freeman gives a shit.
Michelle Williams
Michelle Williams made a movie about walking around town looking for your dog, and it was one of the best movies of 2008. If there’s a great movie you’ve never heard of, odds are she’s in it. She could do blockbusters, where she’d invariably be cast as some superhero’s girlfriend. She’s pretty enough, she’s talented enough, and she’s well known enough. I’m sure Marvel wishes they could get her in The Avengers. They can’t. I doubt they’d even ask. Michelle Williams isn’t in it for the glory, or the money, or even accolades. She’d have to be in movies people are likely to see, to get any of those. I’m left to assume that she works because she genuinely likes acting, and chooses her roles accordingly. She’s quietly perfect in everything she does. When she’s in an ensemble you may not even notice her, because she’s so good she’s simply that character. She’s famous, but when you see her you’ll almost never think “hey that’s Michelle Williams”. Even though you’ll never notice, everything is better with her in it, and if it wasn’t already good she wouldn’t be in it anyway. Got a lost dog? A midget in need of a friend? A gay husband in need of a confidant? Got a quiet, incredibly smart movie which probably won’t sell tickets but really should be seen anyway? Give Michelle Williams a call.
Tom Hanks
More than anything else, this list is a celebration of risks. It’s an ode to the men and women who try new things, carve their own paths and make us alter the way we see movies; why is why, at first glance, Tom Hanks seems a bizarre fixture amongst the Viggos and Kate Winslet’s. There’s something intuitively safe about Tom Hanks. One big budget film a year in which he plays a loveable good guy tearing at the audience’s sympathies. But like a wise father who knows when its time for discipline and when it’s time for ice cream, Tom Hanks is only safe because he’s consistently proven for two decades that he knows what he’s doing. Ask people what their favorite Hanks movies are and not only will you get different answers, you’ll get different genres. Philadelphia is a legal drama about AIDS. Saving Private Ryan is a horrifying World War II picture. That Thing You Do, my personal favorite, is a disposable piece of early 60s nostalgia. Cast Away, The Green Mile, Catch Me If You Can, Bachelor Party, hell even You’ve Got Mail has its ardent supporters, me included. Tom Hanks may not stray us too far from our comfort zones, but right now, at this moment, he is the only actor in Hollywood who still carries a legitimate seal of quality. This paragraph was written in the USA and is Hanks-approved.
Edward Norton
I’ve never played Clue with Edward Norton, but I’m almost positive he takes notes on the questions other players ask, just like I’m positive he buries players for cutting across the middle, argues like a woman scorned and consistently orders the best thing on the menu. Edward Norton is the type of guy who despises second place performances and phoned in efforts with every ounce of his will power. One could argue he simply fights for the sake of fighting, obsesses for the sake of obsessing, his difficult-to-work-with reputation would probably speak to that, but I honestly believe he’s just life-or-death invested in everything he does. You can’t partially commit to paying a skinhead, nor can you obscure your own identity behind a mask for an entire movie because it somehow selfishly helps you. Edward Norton cares, probably too much. He’s the guy who corrects the teacher when he’s misinformed, even when he knows it’ll get him kicked out of class. What’s worse being a tedious failure or a disliked genius? I don’t know. Let me rewatch Primal Fear before I answer that.
Daniel Day-Lewis
Lewis spent eight months learning and training for his character in The Last Of The Mohicans. This is not unusual in itself—the training—even the guys in The A Team went to Army Boot camp. But the performances of Daniel Day-Lewis are different from that of Bradley Cooper not simply because of Day-Lewis’ clearly superior acting or his ability to mold dialogue (which are obviously not part of Bradley Coopers will-be-handsomer-than-thou schtick), but in the choosing of characters and the projects he picks. This becomes obvious with only one glance at Day-Lewis’ Filmography. While the man has been on the radar since the mid eighties and has been given leads since ’88, when he played in Philip Kaufman’s The Unbearable Lightness of Being, in the last twenty years, he has acted in nine films. Nine, yes the same number, yes, there’s a joke in there somewhere, but we’re not finding it so let’s move on. Suffice to say, we should support Daniel Day-Lewis, because if we don’t, he might actually have to take his first role for a paycheck in decades. I hear Phil’s character needs a father in The Hangover 2.
Julianne Moore
Do you remember Julianne Moore in The Fugitive? I do, and I saw that movie once, probably five years ago, played on cable with commercials. And it’s not just her hair (that would clearly cause members of South Park to riot), it’s not her height, her lissom lack of curves, or even her charming smile. It’s not the role she plays in the film—she’s a doctor who helps Harrison Ford’s character in a modestly important part. There’s something more important than a striking appearance in Moore’s portrayal of Doctor Anne Eastman. She’s memorable, and whether her convincing acting was the entire culprit or whether her body language and facial features played a part is an entirely beside-the-point argument, because on the merit of this role in The Fugitive, Spielberg cast her as a lead in The Lost World without an audition. Then, P.T. Anderson had to actually court her repeatedly for his film Boogie Nights. I’d like to present a few more points of evidence. Ms. Moore has often and repeatedly taken roles that would offer her more interesting parts over more money, although she has had successful box office hits. Her recent foray The Kids Are All Right exemplifies this. She once said, “I don’t understand fame without content.” And if there is anything a movie watcher should support, it’s content over fluff. Julianne Moore has taken the acting world into two hands and triumphed. And maybe, just maybe, Julianne Moore could be the one ginger South Park residents could love.
Joseph Gordon-Levitt
Joseph Gordon-Levitt is 29 years old. In acting years, this is the equivalent to Julianne Moore appearing in the made for tv-movie Money, Power, Murder. It’s Pacino before The Godfather, Spacey before Glengarry Glen Ross… it’s Costner while his scenes were being deleted from the Big Chill. I know, I know, the opposite argument could be applied to this paragraph—that many actors begin youngish careers and are successful. What separates Joseph Gordon-Levitt from these other young career seekers is his choice of roles. He’s not picking roles blindly, he’s not an “if you find a fork in the road, take it” kind of guy, but he’s also not simply an obscure-indie-loving, “I took the road less traveled by,” kind of guy. By straddling two worlds, Joseph Gordon-Levitt is able to have his cake and eat it too. Which means we get to see him play fresh characters across the board, from Brick to The Lookout, from (500) Days of Summer to Inception. Even when he chooses big budget films like G.I. Joe, he still feels Downey fresh. Pretty clean for a kid who began his career doing peanut butter commercials.
Jet Li
Jet Li is on this list because he isn’t Jackie Chan. Both once had an unmatched talent for brilliant action sequences. Earlier in his career and right up through the 90s, Jackie Chan made better movies than Jet Li. He just did. Jackie had better stunts, Jackie has a sense of humor. Jet Li simply has the ability to kick ass. But in the new millennium, as they both got older and the stunts got harder to do, Jackie Chan sold out. He stopped doing his own stunts and lied about it. He started doing horrible, Hollywood babysitting movies, just for the paycheck. And while early in his career Jet Li was never as good as Jackie Chan, later in their careers he’s the one who didn’t sell out. Instead of using his fame to get big paychecks doing terrible movies, Li used it to fund passion projects like Hero and the beautiful martial arts history movie Fearless. When he does do a big Hollywood movie, he tries to pick something interesting. His movies aren’t perfect and neither are his choices. But even though he’s older and the stunts that made him famous are getting harder to do, Jet Li hasn’t sold out. Jet Li will never be as fun to watch as Jackie Chan, he’d never be able to pull of a real acting role like Jackie’s in The Karate Kid. Jet Li’s idea of slumming it is doing a ridiculously fun movie like The Expendables or being the best thing about a bad Mummy movie. Jet Li will never be a babysitter and his work, while far from perfect, is almost always worth the price of admission.
James Franco
James Franco is not a good actor. But it’s not a lack of effort which makes him mediocre at best, merely a lack of talent. Franco compensates by making it a point to be interesting. He picks roles he has no business doing, seeks out projects that better actors might be afraid to touch, and damn his ability he’s doing them anyway. James Franco should probably try to get by solely on his James Dean good looks, he should probably go wherever that crooked smile takes him, but he’s not interested. Talented or not he’s out there doing the insane and the ridiculous. He shows up when you least expect him, playing the weirdos, the stoners, pulling off the crazed hillbilly cameo in a movie for an audience which will ultimately forget he was ever in it. James Franco does soap operas, just because it seems like fun. He finds his way into movies which, if his role were played by someone else, might have won them an Oscar. James Franco’s only real asset is that he’s pretty, but he refuses to use it. James Franco is not a good actor and many of the movies he’s been in might have been better if his role were given to someone else. But that’s not his fault, that’s not his problem. Some of those movies wouldn’t have been made at all without him. James Franco is not a good actor, but that hasn’t stopped him from giving it his all. He’s too small to play running back, too slow to hit a fast ball, too short to dunk on an NBA regulation hoop. Sure he could give it up, move to China, and have a successful career in men’s table tennis instead; but he’s out there, giving it everything he’s got anyway. James Franco should probably be Ashton Kutcher, but he’d rather be Dustin Hoffman. He’ll never get there, and I suspect he knows it, but you have to love the guy for trying.
Jeff Bridges
Jeff Bridges didn’t really like making movies at first. He did it because everyone else in his family did it, and they sort of talked him into it. But Jeff wasn’t going to stick with it, unless he really fell in love. At some point, he did. These days Bridges doesn’t do it unless he loves it. Jeff is Hollywood legacy, he doesn’t have to make movies, he chooses to make them. When he chooses one, he chooses it only because it’s something he believes in, only because it’s something he thinks you’ll believe in. Sometimes he’s wrong (The Door in the Floor) but most of the time he’s right. Every time Jeff Bridges shows up on screen there’s always reason to think and hope that this could be the next Big Lebowski, the next Fisher King, the next Tucker, the next Starman. Jeff Bridges cares about what he’s doing. He cares about the characters he’s playing. He cares about his audience. Maybe he’ll make the occasional wrong move, every once in awhile he’ll do The Men Who Stare At Goats. It doesn’t matter, the movie may be bad, but odds are he’ll still be the best thing about it. He’ll probably even make it watchable. The day Jeff Bridges stops caring is the day he stops doing it and holes up somewhere to focus entirely on his photography. It doesn’t matter what Jeff Bridges is in, rest assured that he’s only doing it because he believes it’s worth your time.
Meryl Streep
Meryl Streep is so good that she’s become a cliché. She’s good in everything and everyone knows it. She’s a character actor, when you need someone to play a culinary Big Bird or the bitch from hell boss. She’s a leading lady, whenever you need someone to make out with Alec Baldwin. She has two Oscars, but she’d probably have more, except these days everyone just expects Oscar-worthy performances from her. Lately, she delivers at least one of those, almost every year. She’s done it by being good and making it a point to work with good people. These days she really doesn’t have to go through the effort. She’s Meryl Streep and if she’s attached to a project other good talent will surely follow. So she could phone it in, and let the Steve Martin carry the load. But she won’t. She’s the consummate professional. Meryl’s name on a movie poster is a symbol of quality, it means something, the way Ford used to back when Henry was still alive and the company gave a damn. The way Disney used to, before everyone found out Walt was probably a secret Nazi. The way GE used to be, back when they were all about making great toasters. Most of the names we’ve come to rely on have long since had their reputations tarnished. But not Meryl Streep. She’s still going strong.
Adrien Brody
After winning an Oscar for his work in The Pianist Adrien Brody had the hardware he needed to chart his own course. He could have carved out a career doing period dramas and kissing girls in corsets. That’s what respectable Oscar winners do. Or he could have thrown it all away for a series of big paychecks lending credibility to horrible films, let’s call that the Cuba Gooding Jr. method. Instead he decided to make movies about things he liked and Adrien Brody, it seems, loves smart quirky, genre movies. He likes brain-benders about science run-amok. He likes detective stories, and time travel and fantasies about strange other worlds. Maybe his choices haven’t always worked out, I don’t think anyone would argue in favor of The Jacket, but they’ve all come from the right place. Brody picks movies because he thinks they’re interesting, or because they’re about things he’s interested in. Whether or not that results in something good every time around, it always seems to result in something that tries. The thing is, Adrien Brody is out there trying. He’s not cashing paychecks or chasing more awards attention, he’s just doing movies he thinks he’d like to see on screen and in the process hopes that it’s something you’d like to see too. Everything Adrien Brody does at least attempts to be something bigger than the sum of its parts. It’s not the usual shlock. He could do Transformers 3, and maybe he’d make more money. He could do a Jane Austen movie, and he’d almost certainly get more respect from the cinematic snobs. But instead Adrien Brody does Splice and Adrien Brody does Predators, because Adrien Brody is doing what he loves.
Leonardo DiCaprio
As I write this, Leonardo DiCaprio has 22 film projects in development. He’s not starving for an audience; in fact, he may be one of four individuals whose films I will see regardless of whether I am interested in their content (the others being Day-Lewis, Spacey, and Cruise). I’m not choosing to write about him because I feel an urgent need for readers as individuals to support DiCaprio—he is such a prevalent icon at this point regardless of whether you liked his accent in Blood Diamond or the authenticity of his knife throwing skills in Gangs of New York. In the last decade, nearly every movie he’s made is watchable, in the sense it has some interesting shit going on, often because of DiCaprio himself (and most often because these films are good). Did you read the Richard Yates book Revolutionary Road is based on? It’s like F. Scott Fitzgerald’s Tender is the Night, only it gets more aplomb in critical circles. The reason I bring up Revolutionary Road, is because the narrative closely follows my feelings on DiCaprio. The first thirty pages are classic, filled with new and interesting narrative styles and ideas, the ideas. If you reread again there is always something new, something you missed the first time that you wouldn’t have even known how to look for. After that, the book sort of takes on its own vibe, goes in directions that aren’t reassuring or familiar, and are sometimes even unlikeable. Yet for some reason, it is still compelling, and you find yourself sucked in to the very end. This is DiCaprio’s talent, to try new things, to sometimes steer off course, to go out to sea, but to know that when he’s going, to paraphrase Chris Rock, he’s going out fucking.
Ellen Page
Ellen Page has no business being on this list. She’s only 23. She hasn’t been around long enough to earn a place on it. We didn’t want to put her on it, but her work demands it. The thing is, Ellen Page may be only 23 but she’s already been in more good movies than more famous, more well-traveled, better respected Hollywood actors twice her age. That just can’t be an accident. Sure she had a role in the mostly terrible X-Men 3, but the brilliant part of that decision is that the entire movie was so shallow and empty odds are you’ve already forgotten it. But starting with Hard Candy in 2005 she’s made it a point to show up in some of the best and most interesting movies released every year and worked with some of the best writers and directors the movie industry has to offer. Maybe it’s her unconventional look or her even more unconventional style of acting that keeps them casting her, but a lot of it, you have to think, has been up to her. It’s not just that she keeps picking good movies, but she keeps picking different movies. Movies that no one else is doing. She’s been a molested child out for revenge, a pregnant hipster, a genius prodigy, a roller girl, and a dream designer. All of that in a space of less than five years. Ellen Page is too young to be on this list, too new to have a reliable track record. But here she is anyway.
Russell Crowe
It feels like Russell Crowe has made about thirty bad movies in a row. I looked it up. In actuality, he’s made nine movies in a row worse than A Beautiful Mind. That’s ten movies in a row worse than Proof Of Life, eleven movies in a row worse than Gladiator, and twelve movies in a row worse than The Insider. That’s not to say everything he’s done since The Insider has successively debilitated like the reflexes of Mohammed Ali after Joe Frazier beat the living hell out of him in Manilla, but it has been a slow, yet steady chug down from the untouchable good graces of the American public. Twelve movies in a row worse than The Insider, yet Russell Crowe is on this list largely at my behest. I can’t fully explain it away, or excuse his choices, but I can say I still believe in Russell Crowe. I believe in him because he narrates documentaries about Robin Hood on the History Channel, because he did a fucking Western. His recent choices may not have proven fruitful but it wasn’t because they were back-up plans. This is a man who truly cares about getting other men right, getting the nuances down, getting stories he believes in made. Cinderella Man is a good movie; so too are American Gangster and 3:10 To Yuma; they can’t all be better than The Insider. But if you keep watching long enough, another one of ‘em will be.
source: 20 Actors Who Deserve Your Support [Cinema Blend]
Usually it’s the Actresses that get ragged on in Hollywood about their looks fading away, well here is a list of 25 male actors who are aging horribly.
25. Tom Berenger
24. Russell Crowe
23. Frankie Muniz
22. Mickey Rourke
21. Nicolas Cage
20. Jack Nicholson
19. Chris Cooper
18. Steven Segal
17. Dick Van Patten
16. Carrot Top
15. Hayden Christensen
14. Nick Nolte
13. Harrison Ford
12. Jeremy London
11. Brendan Fraser
10. Johnny Depp
9. Burt Reynolds
8. Val Kilmer
7. Jonathan Lipnicki
6. Judd Nelson
5. Jeffery Jones
4. Anthony Michael Hall
3. Mel Gibson
2. Sean Penn
1. Omar Sharif
I would replace Hayden Christensen with Ethan Hawke. What a funny list though.
source: The 25 Worst Aging Actors in Hollywood [Best Week Ever]
You know how when you go see a movie and it seems the director is always using the same actors over and over? Well here is a list of 10 pairs that need to just give each other a break and work with other people.
10. Helena Bonham Carter and Tim Burton (5 films together)
Helena Bonham Carter, believe it or not, used to be a distinguished actress who was nominated for an Oscar for her performance in The Wings Of A Dove. Since with Burton, however, she only seems to find work in his films slumming around in creepy makeup. Apart from some appearances in the Harry Potter series, the actress hasn’t made a notable splash outside the Burtonverse since 1999’s Fight Club and it seems like there is no slowing down this husband/wife movie making duo. Burton has three projects slated for production that will likely feature the quirky actress.
9. Denzel Washington and Tony Scott (4 films together)
Have you ever noticed a couple at a party and one person was so clearly out of the other person’s league that it left you dumbfounded? This is the feeling I get every time Denzel Washington agrees to make another film with Tony Scott. Washington is one of the greatest actors of this generation, has two Oscars and is a considerable box office draw and yet he chooses to work so faithfully with the lesser of the Scott brothers (I was hoping that American Gangster would steer him in the direction of the more talented brother). There has to be some secret to their working relationship that keeps Washington coming back for more. Whatever it is, I hope Washington wises up and starts working with directors worthy of his talent as soon as possible.
8. Keira Knightley and Joe Wright (2 films together)
These two have only made 2 films together but their working relationship became stale somewhere around the middle point of Atonement. Perhaps the problem is that Keira Knightley seems to only play in period dramas (she’s done 5 in the last few years) and thus her work with Wright seems redundant? There were rumors that the two were going to take on My Fair Lady but luckily they abandoned that project. Knightley is marginally talented and Wright seems to have a good eye but unless the two of them break out of their comfort zones (each other), they will forever be pigeonholed into the realm of glossy period productions.
7. Tom Hanks and Ron Howard (4 films together)
Although their works have been spread out over 3 decades, the recent one-two punch of The Da Vinci Code and Angels & Demons was enough to suggest these two go on permanent hiatus from each other. With the critical ‘meh’ that the first film received, I was shocked the sequel (based on the much less popular book) was ever greenlight in the first place. Hanks and Howard are both capable of producing good work but rarely do so together. Perhaps the two should look into doing another comedy a la their 1984 classic Splash?
6. Penelope Cruz and Pedro Almodovar (4 films together)
It’s hard to fault this pairing because most of their work together has been stunning but the Spanish duo’s last film together, Broken Embraces, left a lot to be desired. Almodovar has always relied on muses and Cruz has served him well over the years but now seems like a good time for them to take a break from each other. Cruz has become a hot commodity in the US and Almodovar needs to take on a new direction. Interestingly, Almodovar is turning to one of his former muses, Antonio Banderas, for his next film.
5. Russell Crowe and Ridley Scott (5 films together)
I’m a big fan of Sir Ridley Scott but the ‘Russell Crowe’ years have led to his most boring films as a director. Sure, their initial pairing (Gladiator) re-established Scott as an auteur and turned Crowe into a bonafide star but their subsequent pairings have done nothing for me as a viewer. With Scott setting his sights on 2 Alien prequels, it seems unlikely that he will find room for Crowe in those films but going back to a past success doesn’t bode well for a reinvigoration of the director’s creative potential.
4. Scarlett Johansson and Woody Allen (3 films together)
Woody Allen does love his young blonde starlets, doesn’t he? Sometimes he is able to garner fantastic performances out of them (Mira Sorvino in Mighty Aphrodite) but he hasn’t had such luck with Ms. Johansson. She’s starred in quite possibly his worst film to date (Scoop) and been the least interesting part in the better of his more recent efforts (Match Point and Vicky Cristina Barcelona). Now that the actress is over the age of 25 perhaps old Woody will grow tired of her and move on to younger stars to fill his creative void. That’s the thing Allen loves about his stars, he gets older but they stay the same age.
3. Matt Damon and Paul Greengrass(3 films together)
If Green Zone proved one thing it is that Paul Greengrass and Matt Damon should probably avoid each other outside of the Bourne series if they don’t want inevitable comparisons to their previous work. It would be hard not to draw those comparisons since the trademarks of the Bourne series are Greengrass’ signature directing style and, of course, the appearance of Matt Damon. There are still rumors of these two doing a 4th Bourne film but if they plan to work together outside the series they are going to have to lay off the breakneck action sequences and go for something less recognizably Bourne. Perhaps a romantic comedy (with shaky cam)?
2. Milla Jovovich and Paul W.S. Anderson (4 films together)
This is a duo who I wish would just take a break from filmmaking altogether. Jovovich is a stunning beauty but is one of the least talented actresses I have ever witnessed on screen. Anderson, similarly, is one of the least talented directors I’ve ever had the displeasure of seeing films by. When you put them together, you get one of the worst action-adventure-scifi franchises of the last twenty years, Resident Evil. With that series coming to an end this year, the director already has plans to cast his wife in his next feature; a 3D retelling of the Three Musketeers. Maybe they’ll get a divorce and spare us all their future collaborations?
1. Johnny Depp and Tim Burton (6 films together)
It’s hard to argue with success (their most recent film, Alice in Wonderland, has garnered their highest box office) but Tim Burton’s reliance on Depp has reached a level of near parody. Their collaborative efforts have become more and more predictable and the once exciting duo has been reduced to a bland mix of dayglow hot topic merchandise. Their last truly great film together was Ed Wood in 1994 and found both at their career best. It is possible for them to reclaim this glory but Burton is going to need to cast Depp more appropriately instead of dressing him up in garish make up and wigs and letting him run on autopilot.
This list would be 100% correct if they had of added Leonardo DiCaprio and Martin Scorsese to this list. Is there any actor/director pairs you are sick of seeing working together?
source: 10 Director/Actor Pairings Who Need A Break [The Film Stage]
As we all know the summer brings all the big Hollywood blockbuster movies, which for the moviestars is a vital time because if there movie becomes a smash hit then they can ask for a bigger salary – if not then they will forever be tied to a movie bombing.
With this in mind, Forbes have put together a list of 15 moviestars who are in need of a hit with their summer blockbuster, be it to cement their career of a top grossing actor or redeem their fading career.
1. Robert Downey Jr., Iron Man 2
The first Iron Man took Hollywood by surprise with its mix of rapid-fire dialogue and hard-hitting action. Audiences loved the film, spending $585 million on tickets at the box office. The sequel looks like it will live up to the original–it’s already earned $100 million abroad.
2. Tom Cruise, Knight and Day
Cruise hasn’t had a major hit since 2006′s Mission: Impossible III. The star needs Knight and Day to bring in the crowds this summer. The actor earned some good buzz with his comedic cameo in 2008′s Tropic Thunder. Knight and Day (co-starring Cameron Diaz) could be just the mix of comedy and action Cruise needs for a comeback.
3. Angelina Jolie, Salt
In her career, Jolie has vacillated between action flicks like Lara Croft: Tomb Raider and Oscar bait like The Changeling. It seems the actress might be settling into the action life. She follows up the 2008 shoot-’em-up hit Wanted with this summer’s Salt, about a rogue CIA agent. Hollywood will be watching the box office returns to see if they prove she’s an action star worthy of $15 million a film.
4. Russell Crowe, Robin Hood
Crowe has had a rough couple of years. His last two films, State of Play and Body of Lies, disappointed at the box office. So there’s a lot riding on Robin Hood, Universal’s new take on the old story. With Cate Blanchett along for the ride as Marion, the film is sure to focus as much on acting as on bow and arrow action.
5. Julia Roberts, Eat Pray Love
“Chick flicks” like The Proposal, Sex and The City and Mamma Mia have performed well over the past few summers, so hopes are high for Roberts’ newest film, Eat Pray Love, based on the best-selling book by Elizabeth Gilbert. Roberts could use a hit. Her last big box office winner (aside from the Ocean’s films) was 2001′s America’s Sweethearts.
6. Sarah Jessica Parker, Sex and the City 2
The first Sex and the City film was a smash hit, earning $415 million at the box office on an estimated budget of $65 million. The filmmakers are taking a risk with the sequel by taking Carrie and her friends out of Manhattan. If the movie’s a hit, though, it will mean big bucks for Parker, who is also a producer on the film.
7. Jake Gyllenhaal, Prince of Persia: The Sands of Time
Gyllenhaal is best known for his work in serious movies like Donnie Darko, Zodiac and Brokeback Mountain. It’s quite a departure for the actor to take on the lead role in Prince of Persia, which is based on a videogame. If the film is a hit, Gyllenhaal might have found a second career for himself playing action heroes.
8. Leonardo DiCaprio, Inception
Leo finally had a big hit with Shutter Island. He needs that streak to continue if he’s going to hold onto his reputation as an actor worth $20 million for serious adult movies. Few films have been as shrouded in secrecy as Christopher Nolan’s Inception, which hits theaters July 16. It has something to do with technology and dreams, but that’s as much as anyone knows. Considering Nolan was the man behind The Dark Knight, Inception could be a huge hit.
9. Jennifer Aniston, The Switch
Aniston has had a run of bad luck at the box office lately. Love Happens and The Bounty Hunter both bombed despite the presence of strong costars like Gerard Butler and Aaron Eckhart. She needs The Switch to do well to maintain her reputation as a solid romantic comedy star.
10. Will Ferrell, The Other Guys
Ferrell starred in one of the biggest bombs of 2009 last summer: Land of the Lost, which earned only $68 million on an estimated budget of $100 million. Ferrell needs The Other Guys to be a hit. It helps that the cop movie has a lower budget than the effects-heavy Land of the Lost.
11. Matt Damon, The Adjustment Bureau
Thanks to the Bourne movies, Damon has starred in some top-earning films. But he’s also been in his share of duds. Recent movies like The Informant, Green Zone and Invictus have disappointed at the box office. The Adjustment Bureau is the directorial debut of writer George Nolfi, who penned The Bourne Ultimatum.
12. Steve Carell, Dinner for Schmucks and Despicable Me
If Carell leaves The Office next year, as rumored, he’ll have a burgeoning career as a movie star–his films this summer could either add to his momentum or break it. His most recent film, Date Night, has had a respectable run, earning $109 million at the box office worldwide. Dinner for Schmucks, co-starring Paul Rudd, is getting good buzz, as is the animated Despicable Me.
13. Mark Wahlberg, The Other Guys
Wahlberg is one of those dependable actors who can go between action films like Max Payne and serious dramas like The Lovely Bones with no problem. But until recently he’s stayed away from comedies. His shirtless performance in the comedy Date Night has audiences excited for the upcoming film The Other Guys, which stars Wahlberg and Will Ferrell.
14. Cameron Diaz, Shrek 4 and Knight and Day
The Shrek movies (which co-star Diaz as Princess Fiona) have been some of the biggest earners of all time, bringing in a total $2.2 million (EDIT: should read $2.2 billion) at the global box office so far. The fourth and final film is sure to be a box-office winner, especially because it’s being shown in 3-D. Audiences will be able to see Diaz in Knight and Day, which co-stars Tom Cruise.
15. Adam Sandler, Grown Ups
For his latest movie, Sandler brought along fellow Saturday Night Live veterans like Chris Rock and Rob Schneider for a big family ensemble comedy. The presence of Kevin James (hot off of last year’s Paul Blart: Mall Cop) could make the film a summer hit.
I was looking around for interesting images the other day, and happened upon one of my favorite pictures of Anne Hathaway (which is on this list). The most noticeable feature of the picture is the incredible side boobage that seems to leap from the image and scream “gaze upon me in all of my glory, for I am side boob.”
What is it about the side boob that is so appealing? Is it the hint of what lies just out of reach? I tend to appreciate a good side boob more than a great under boob image, although some men (and women) may disagree.
Even Peter Griffin of Family Guy appreciates a flash of side boob:
Regardless of your boob preferences, most mammary aficionados like myself will have to agree that boobs are mounds of beautiful goodness no matter what side or angle they are viewed from!
So without further ado, I present to you my choices for the top ten celebrity side boob images of all time.
#10 Elisha Cuthbert
Elisha Cuthbert played the hot porn star with a heart of gold in The Girl Next Door and also played as Jack Bauer’s daughter Kim in the awesome series 24.
#9 Jennifer Connelly
Jennifer Connelly starred opposite Leonardo DiCaprio in Blood Diamond and Russell Crowe in A Beautiful Mind. She is without a doubt one of the most beautiful women on the planet. Well, I don’t doubt it, at least.
#8 Emma Watson
Emma Watson is best known for playing Hermoine in the Harry Potter series. Who would have thought she’d grow up to be so gorgeous?
#7 Brooke Burke
Brooke Burke was the host of Wild On! and Rock Star, and won season 7 of Dancing with the Stars. She’s also ridiculously hot.
#6 Joanna Krupa
Joanna Krupa is a model who also loves animals and blah blah blah, PETA ads, look, boobies!
#5 Anne Hathaway
Anne Hathaway began her career in the 1999 TV show Get Smart before appearing in the Disney films The Princess Diaries (1 and 2) and Ella Enchanted. She then decided to let it all hang out in Havoc before starring in The Devil Wears Prada opposite Meryl Streep (who will not be appearing on this list).
#4 Eva Mendes
Eva Mendes first hit my radar when she starred in Training Day with Denzel Washington, and since then I will pretty much watch any piece of crap (ahem… Ghost Rider) that has her in the credits.
#3 Christina Aguilera
Beautiful songstress Christina Aguilera has gone through a dozen different looks, from pinup model to sexy bad girl to transvestite, but the picture above is the look I like best on her. By that I mean naked.
#2 Angelina Jolie
I struggled long and hard (heh) before deciding to make this picture of Angelina Jolie number two. I like her so much more as a person than I do the person I picked for the first place spot, but this isn’t my “top ten nice celebrities that do cool shit for poor people and adopt enough children to start their own country”. It’s all about the side boob.
#1 Katherine Heigl
My number one choice for this post is this picture of Katherine Heigl. I think the only thing I’ve ever seen her in was Knocked Up, where I thought she must be the sweetest woman ever. Judging by reports from costars and anyone else that has had the misfortune to spend more than five minutes working on a film or Grey’s Anatomy with her, however, she can be a complete bitch.
Oh well, that is one fantastic side boob.
So there you have it, folks. My top ten greatest celebrity side boobs ever. Or as Kanye West would say “OF ALL TIME!”
Think you know of any that should have been included here? Let me know in the comments below!
Just when I thought that Michael Lohan couldn’t sink any lower, I have been proved wrong because he is being accused of looking for strippers that look like his daughter.
Elliot Osher, who used to own New York’s strip club Scores, is writing a book about all the celebrities who used to visit the club and he says Michael’s request was a Lindsay Lohan look alike.
“Lindsay Lohan’s father once sat down and described the kind of dancer he was looking for, we sent some girls over. Funny, they all seemed to look like Lindsay. We ended up having to show him to the door.
Michael says he did get into an altercation but says that no girls ended up dancing for him, he also says he doesn’t even look at Lindsay’s photoshoots.
As for other celebrities, Osher says that Bill Gates left a tip for a cool $3,400 while Madonna tipped nobody and Russell Crowe nearly ended up fighting with an Irish waiter.
Who would you be willing to believe, a former strip joint owner who is writing a book or Michael Lohan? Yeah I go with the strip joint owner too, gross.
source: Lindsay Lohan’s dad accused of looking for strippers who look like his daughter [SafNews]
